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Sunday, November 20, 2011

Flannery O'Connor: Dark, Disturbing, and Just Plain Good


It has been a while since I have been taken with a writer like I have recently become with Flannery O'Connor. She mystifies me with the worlds she shines light on in her stories and novels and she disturbs me with her raw and clear eyed focus on these worlds. The characters that you discover in her writing are made up of all kinds of half crazy religious prophets, cold blooded sociopaths and psychopaths, societal rejects, con men, freaks, and country people from strange southern backwaters. While many of the people you come across in her stories are extreme and grotesque they are never less than fascinating, fully formed, and heartbreakingly human.
I heard O'Connor's name mentioned through out my life but never read any of her work in school or out and came across her sort of by chance. I'm a reading whore and read all genres and styles and varying levels of quality. I went out on a limb and pulled a book from the library that some guy (I don't remember his name) had written about struggling as a writer and being published and blah blah. It wasn't bad but it was incredibly conservative, at times obvious, and just frigging mediocre to be honest. I gave it back to the library about half way through (if something sucks you drop it be it books, movies, relationships, etc.) but before I did I couldn't help but notice that the guy mentioned the name Flannery O'Connor over and over again. He dropped her name when he wanted to bring up a writer who was a master of the short story, when he wanted to set the bar high ("we can't all be Flannery O'Connor), and he brought her up when he mentioned the Writer's Workshop in Iowa because they were both students there.
Although I didn't care for the man's book I could tell from the things he wrote that the author himself was a fan of good writing and his outspoken allegiance to O'Connor intrigued me. I looked her up on the old internets and found that that she had lived a life marred by illness that was finally cut short by lumpus when she was thirty nine years old. She was a devout Catholic and much of her writing is awash with her beliefs as she puts together startling portraits of the "Christ haunted" protestant south. The internets described her short stories as often dealing with the "grotesque" and called some of her work falling into the horror story category in some cases. She didn't seemed to agree and was quoted as saying:
"The stories are hard but they are hard because there is nothing harder or less sentimental than Christian realism... when I see these stories described as horror stories I am always amused because the reviewer always has hold of the wrong horror."
Due to my scepticism and ever increasing disinterest in organized religions (and organizations in general) the many mentions of Catholicism in regards to O'Connor's work was a turn off for me but I was still very much intrigued. I went to the library and got my hands on her Complete Works in one thick volume and immediately was sucked in by her novel Wise Blood which is dark, disturbing, strange, and does a fancy little switcheroo in perspective towards the end of the novel that throws you for a bit of a loop that I thought was masterful. The first short story I got to was A Good Man is Hard To Find which knocked me over the head and left me sitting there staring down at the page for some minutes after I finished. I'm not going to describe what happens in the story except to say it is one of the darkest, most horrific things I have ever read, and this is something that was first published in 1955. If a desensitized thirty one year old man in 2011 can be moved like that how the hell did people react back then?
Her other novel The Violent Bear it Away is included along with all her other short stories (Good Country People is by far my favorite so far), a few essays, and 259 letter that O'Connor wrote to her friends, acquaintances, critics, fans, and pretty much anybody that wrote her. The letters are a true joy. While much of O'Connor's work is dark and deals with the physically and spiritually grotesque she herself was incredibly brave and very funny which comes through clear as day through her correspondence. She is very candid and is never afraid to discuss her faith, her thinking, her fears, and everything else under the sun. She was sill a young woman when the lumpus began to effect her body and she had to begin using crutches but her letters never reveal a bitterness or cynicism in her thinking. Plenty of sarcasm and irony in her letters but no cynicism.
I'm hoping that I might talk someone into reading one of her works and then discussing it so we can post it here on Dublin's World. So far none of our regular contributors are willing to take part. Robert Fong doesn't read fiction, Melissa Gafton is too busy with school, DJ Undacut doesn't really read, and Robert's neighbor Paul is out of town. So, if there is anybody out there that would like to read some of the work of Flannery O'Connor and then discussing it with me or at least send me a page or two of your thoughts then please, shoot me an email at dublin@jazzmafia.com.
I would like to take us out with one of my favorite bits from one of O'Connor's letters in which she shares her thoughts on bad taste. This is one that she wrote to Eileen Hall on March 10th 1956. I hope you enjoy it and have a great Thanksgiving.
"About bad taste, I don't know, because taste is a relative matter. There are some who will find almost everything in bad taste, from spitting in the street to Christ's association with Mary Magdalen. Fiction is supposed to represent life, and the fiction writer has to use many aspects of his life as are necessary to make his total picture convincing. The fiction writer doesn't state, he shows, renders. It's the nature of fiction and it can't be helped. If you're writing about the vulgar, you have to prove they're vulgar by showing them at it. The two worst sins of bad fiction are pornography and sentimentality. One is too much sex and the other too much sentiment. You have to have enough of either to prove your point but no more. Of course there are some fiction writers who feel they have to retire to the bathroom and the bed with every character every time he takes himself to either place. Unless such a trip is used to further the story, I feel it is in bad taste. In the second chapter of my novel, I have such a scene but I felt it was vital to the meaning. I don't think you have to worry much about bad taste with a competent writer, because he uses everything for a reason. The reader may not always see the reason. But it's when sex or scurrility are used for their own sakes, that they are in bad taste." Well said.

-Dublin 11-20-11

Sunday, November 13, 2011

Sexual Harassment: Ugly Guys Getting Their Mack On?


Dublin and DJ Undacut got together on November 10th 2011 and had a discussion. They were joined by Russian Literature major Melissa Gafton. This is a transcript of that discussion.

U: I thought we were going to talk about hip-hop?
D: We did that last time. We can't talk about hip-hop every time.
U: Sure we can. Who's this?
D: This is Melissa Gafton. She's a student at Contra Costa College and is the closest thing we got to an expert for our discussion.
U: Which is about what?
D: Sexual Harassment.
U: So you're studying Sexual Harassment?
M: No, I'm a Literature major.
U: Huh, so why are we talking about this?
D: People are always accusing Dublin's World of perpetually being behind the times. With all the stuff about Herman Cain in the news lately I figured we would talk about something that's getting discussed in our culture currently. Namely, sexual harassment.
U: Didn't Chris Rock break down sexual harassment perfectly when he described it as ugly guys getting their mack on?
D: That doesn't really sound right. I think he worded it differently.
M: That's not really accurate either.
U: How's that?
M: Look at the Herman Cain scandal. Here was a man in power who was trying to coerce women into trading sex for a job or a bump up in position.
D: Is that kind of how the Anita Hill/Clarence Thomas thing was?
M: I'm not sure. It's interesting that was almost exactly twenty years ago.
D: Yeah. We were all probably kids then.
U: Clarence Thomas is a douchebag.
D: Herman Cain is not necessarily an unattractive man right?
M: That's missing the point.
U: Clarence Thomas is an ugly bastard.
D: What I don't understand is how long Cain expects he can keep denying all this stuff. It seems like a new woman is popping up every day.
U: What'd he do anyway? I'm not all that clear on what sexual harassment is really.
M: The only case that is out in the public is that this woman asked for help getting a job and when they were in his car Cain put his hand on her crotch and tried to force her hand onto his genitals.
D: Really? They have all those details?
M: The accuser came out in a press conference and told the whole story.
U: Daaaamn. That must have sunk him in the presidential race.
M: Not really. He's still posting high in the polls.
U: I can't really hate on that.
D: What?
U: The whole move he was making. That's how you get your mack on. You make a move.
M: C'mon.
U: I'm not trying to be devil's advocate but she just wasn't feeling him so it's sexual harassment? Why did she wait to come out with it?
M: She was probably embarrassed.
D: It is really embarrassing. For everybody.
U: I don't know. None of us were there. We don't know how it went down.
M: She did press charges. They settled out of court.
U: Let me ask you this? What if he didn't try to put his hands on her or whatever? What if he just said some shit?
D: Right. Can sexual harassment be just words?
M: Well I'm not an expert-
D: Don't say that! You're supposed to be our expert.
M: But I'm not.
U: Great. What is the point of this?
M: I will say this: sexual harassment can just be words.
U: Like what? Where's the line yo?
M: Where ever the victim begins to feel threatened. If a man keeps on making unwanted advances even after a woman has turned him down then that can very well turn into sexual harassment.
U: Great. So if a dude is is just persistent then he's a harasser.
D: Not necessarily.
U: I would still be a virgin at twenty nine if I wasn't persistent!
D: Really?
U: I would have never been born if my Dad wasn't persistent!
M: It's not an easy thing to define.
U: Sure it is. It's just when the woman says it is. Right?
M: Men can be harassed.
U: By women?
M: Sure. If a woman is making unwanted advances then it can become sexual harassment.
D: And man on man.
U: That's all bad.
D: Have either of you been harassed?
M: I've been sexually harassed almost every time I've walked down Mission street. Kidding.
U: Dude, I got to say. I've been harassed and it's no joke.
D: Great, let's hear this.
U: I had a girl but we broke up, feel me? After a little time we tried to be friends and kick it and whatever and it was cool for a minute until we would go out drinking and then she would get all grabby.
D: Grabby?
U: She would just be grabbing on me and trying to kiss me and get all up on me.
D: And you didn't want it? C'mon!
U: I didn't. I wasn't drunk enough.
M: How did it make you feel?
U: Not good. I had to stop even talking to her because she was just too.......
D: Grabby?
U: Yes.
D: So what have we learned?
M: Were we supposed to learn something? I didn't realize that.
U: What are you doing after this Melissa?
M: I have a date.
U: Lucky guy.
D: Is that sexual harassment right there?
M: No, I think that was sweet actually.
D: Well it was nice to have you Melissa. We would love to have you come be our expert in the future.
M: I can do that if you're discussing a subject I know about. Like Dostoevsky or Tolstoy or something.
D: Perfect. We're discussing Dostoevsky next week.
U: Dosty what?

Transcription created by Peggy Menchstone on 11/11/11

Wednesday, November 9, 2011

Part 7: PB James and The Man at the Top


Part 7
The forest air is filled with death as dirt, leaves, rock, and bark detonate and combust. The bullets collide with all of nature and rearrange it into their own scarred landscape of violence. PB dashes like a panicked rabbit under the trees and it is only a matter of time before the rain of lead finds it's target. He can feel the moment coming, seconds remaining. He can feel the impact of the bullets coming closer behind him, spiraling into the ground, and as he runs he anticipates the piercing heat of the first one entering his back.
He staggers through a bush and the machine gun suddenly stops it's chatter as the shooter in the helicopter reloads. PB glances up into the spotlight before tripping over a bullet riddled log and and he is suddenly falling head over heals down a steep embankment. He comes to a stop in a pile of dirt and rock with leaves in his mouth and a bruise on his temple. While the spot light searches desperately in the nearby trees he notices a large rock ten feet away from him that houses a shallow hollow under it just above the dirt.
He scurries to the rock on his hands and knees and forces his body into the hollow. It is a desperate squeeze and the jagged edges in the roof of rock cut into his arms and knees. He doesn't quite fit but he holds his breath and his body is completely under the overhang. The spotlight flashes over the rock and PB keeps himself completely still. The blood bashes in his temples and down his neck. His breath is hard and stale in the tiny cave. It is like a coffin and his limbs are quickly cramped and aching.
The helicopter continues to circle and search and fill the forest with the clamor of it's rotating blades. It begins to die down as it searches farther in the distance and PB begins to breath easier until the motor rages in volume and the spotlight sweeps by the rock again. It hovers above the area for what seems to be hours. PB waits, his limbs jammed into the skinny crevasse, the pain and stiffness slowly becoming unbearable until they taper off and his body goes numb in the cold.
The helicopter makes it's way to another part of the forest and the sound of it gets weaker and weaker until it is only a quiet mutter in the distance. PB thinks about getting out of the tiny cave, he can feel insects creeping along his neck and on his legs just above his socks, but he is too tired and numb and soon he is asleep.

He awakes with the sun directly on his face. It is somehow perfectly positioned in the morning sky so that it it's full heat and power are pumping right into the crack under the rock and into his eyeballs. It's rather cold but PB can still feel the fresh burn on his face. He drags himself out of the crevasse and everything hurts. His knees, his elbows, his stomach, his feet, his toes, even his ears hurt.
He is lost, there are people trying to kill him, and he is terrorized by both thirst and hunger, but he can't deny that it is a beautiful Yosemite morning. The sun that has woken him up so rudely is shining it's Autumn light through the soft dust and leaves and lighting up all the rich greens and browns of the forest. He thinks of Sam and he suddenly finds himself plodding through the bushes and thickets with a burst of energy and a renewed sense of purpose.
After over an hour of of hiking the trees clear in front of PB and he finds himself in a wide open meadow. The open space seems less wild than the dense forest and the hope of finding other human beings pushes it's way up and sits in his dry throat. He staggers through the grass and comes upon a clear flowing stream that snakes it's way through the meadow. He collapses along it's bank and gratefully spoons water into his mouth using his hands. He let's his face fall into the cold mud and sit there, the water washing up into his scalp.
"G'mornining mate!"
PB rolls over and sits up, startled. A man stands on the other side of the stream filling his canteen with water. He is dirty and grinning with a overgrown scraggly red beard framing his face.
"Where's your camp mate?" the man asks and PB notes the Australian accent.
"I don't have a camp. There's men. From the mountain! In a helicopter. They're trying to kill me. They have my friend."
It all pops and cracks out of PB's throat and the Australian grins and nods good naturally before saying: "Sounds like you got a bit of a dilemma there mate. Why don't you come on back to our camp and have a spot of breakfast aye?"
PB trudges through the stream and follows the man back into the trees and down a slope to a clearing where two tents are set up with a fire burning invitingly from a pit in the center. The Australian explains that his name is Ben and that he has been out there for about a week and loving the country. He introduces PB to his companion Richard who is a large blond haired Australian who grips PB's hand in a vice like grip and shakes it until PB is light headed.
The two hikers cook up some food, first oatmeal and then some sweet and sour pork out of a bag, and then a desert of mixed nuts with M&M's mixed it in. PB warms himself off of the fire and explains the last few days between mouthfuls of food. Both Australian's nod and listen respectfully, the grins never leaving their faces.
"Do ya think you could spot out where that mountain base is at?" Richard asks.
"I don't know. It's not far from the John Muir trail, I know that. Maybe if I was in the same area I might be able to spot it."
"We got to bring these thugs to justice," Ben throws out.
"I want to know who's behind it all. It's got to be someone big. Powerful."
"The man at the top," Richard says.
"I woudn't mind meeting that bear," Ben says happily and his grin widens.
"Yes you would," PB explains solemnly "The bastard isn't even an animal. He's beast from somewhere else. It's like it came out of a nightmare."
"Oh I don't know mate. If it walks and breaths and can be took down," Ben says and with that he pulls out an old antique revolver and shows it to PB, his grin intact.
"What are you going to do with that thing? I told you, these guys were shooting a machine gun at it."
"But where mate? In the head? If they shot it in the head they probably would have brought down the bloody thing."
"Got to get it in the head," Richard confirms.
PB naps at the camp and awakes as dusk begins to close in from the trees. Ben lends PB his bubble goose jacket and PB makes his way up the slope and back towards the meadow in search of fire wood. He collects wood into a pile by the stream and thinks of Sam and what she may be going through. He shudders at the idea of her being harmed or tortured and pushes those thoughts away. Now that he has food in his body and feels refreshed he is determined to come to her rescue. He will talk Ben and Richard into departing at first light and together they will hike to a ranger station, gather a posse, and storm the mysterious hillside fortress.
PB is on his way back to the camp when he hears a voice float up through the trees. There is no hint of an accent which makes PB stop and place the wood down on the ground. He slowly makes his way along the slope until he can make out the camp below in the dimming light. Both Richard and Ben are on their knees with their hands in the air and the Ranger is standing over them brandishing a hand gun.
"Which way did he head out?" the Ranger asks, his tone already hinting at a lack of patience. The two Australians grin up at him.
"He just went to get some wood mate. Don't know exactly where," Ben offers him happily.
"What did he tell you? Do you know where he's going?"
"He said a lot of stuff mate. Most of it not making sense. People chasing him and girl and her brother being held captive. Kind of poppycock really."
The Ranger scans the perimeter of the camp and then looks back at the two grinning faces before shooting a bullet into each of their heads. A burst of red gas appears behind each of the Australian's skulls before their lifeless bodies crumple to the ground, both of their grins still intact.

To be continued in Part 8.
Photograph by Bob Pierce Jr.

Sunday, October 30, 2011

Part 2: The Temptation of Marsha Bates


Part 2
I hate the scene where I’m walking along the street, it just doesn’t look right. I step up the curb on to the sidewalk to shake hands with the firemen and I look awkward. I wonder if it’s the exception to the rest of the video because it’s just an off moment or if it exposes how I really look. Please Jesus, make me look the way I need to look.
“I like this part here,” Clay says and Pam and the interns stretch their necks out to focus on the screen.
It’s strange to watch yourself on television. You look at the person on the screen and you’re aware that it is you up there but you notice so many things that you were never conscious of before. The way your hair jostles when you move your head or the odd rhythm of your blinking. The way you walk; never have I seen a stiffer walk than my own right there on the screen. In my mind my walk I free and easy, light as a feather. Then I watch the screen and I see a woman walking like she has an invisible suit of armor hanging from her limbs.
“Oh Mrs. Bates, that is so good. I like it a lot.”
Sandra the intern is piling it on thick during the part where I’m shaking hands with seniors. I remember the day we shot it. I don’t think the old people were even aware of who I was but they went along with it anyway. I catch Pam giving Sandra a look. The new intern is on the fast track to dethroning the assistant. I enjoy watching the struggle. They both will come out stronger from it.
“This is going out in six markets instead of four,” Clay explains as the video ends. “That’s all due to the increase in budget here in Iowa and that is all due to the hard work that everyone in this office is putting in. Keep it up.”
They all begin to chatter and break away into their groups and clicks and various duties. Clay is pounding away on his cell phone, replying to texts and e-mails in the brief break from the constant storm.
“I want that part where I’m walking down main street cut,” I tell him and he looks at me glass eyed and distracted.
“Cut?” he whispers, trying to concentrate.
“You know. The part where I’m walking along ‘main street’ and I step up to the sidewalk to shake hands? I don’t like how it looks and I want it out.”
Clay nods absently.
“Yes, absolutely. That has to go,” he says. He points towards the interns where they are gathered talking amongst themselves. “You! We need to get Mrs. Bates over to her rehearsals right away. We’re running behind and Frank Wagner doesn’t like waiting.”
The young people look startled and stare back at him until he snaps the fingers of his free hand at them and it’s obvious he’s referring to Will Cedar.
“Let’s go! Pam will get you the address.”
“I don’t have a car,” Will explains sheepishly.
Clay pulls the keys for his Mercedes from his blazer pocket and throws them across the room to the intern.
“Just get going. I’ll have Pam text you the address.”
Clay turns towards me and points sternly towards the door.
“I can drive Mrs. Bates,” Pam protests and I feel the claw of irritation.
“No you can’t,” Clay bellows “I want you updating the donor list for California. You hear me? You were supposed to have that ready three days ago and then I hear from Sandra that they’re not ready. We’re just over a week away!”
He lets his face go slack to show her how much she’s let him down and then he begins chattering into the phone. Pam’s skin looks ash colored and then the hurt and embarrassment give way to a crimson anger which she directs silently towards the intern Sandra. Sandra has opted to walk away like she didn’t hear the entire exchange. I gather my debate binder and Blackberry from the conference table and head towards the door with Will following behind me.


It’s a gray day and I feel the downturn of the weather bringing my spirit and my thoughts to low places. As a little girl I aways imagined that a foggy or cloudy day made it so God couldn’t see us and it frightened me. Now the idea of Him not seeing us depresses me. What is the point of going through all the motions and struggles if no one is watching?
The intern is driving, concentrating very hard on the road in front of him. He’s quiet and I appreciate it. I imagine he’s partly uncomfortable being stuck in a car alone with “the boss” for a half hour. I’ve seen many young men like him float in and out of our campaign already: boys that lead their college Republican club and are now looking for real world experience with a campaign that has some momentum. A few of the young men were sucked up by the Ackley Campaign a month ago when Bob entered the race. I try not to let it bother me, in fact the thought of these young men seeing Bob as a ‘winner’ only feeds the desire I carry to fight all the way to the end.
“When did you get involved with the campaign Will?” I ask him absently. Freeing myself from my own thoughts through conversation will stop my mood from plummeting.
He seems shaken awake by my voice. He blinks and looks over at me and leans back in the seat.
“Pretty recently.”
He doesn’t seem to have much to say beyond that but I look over at him, waiting for something. He grins to kill time but I continue to wait and he swallows and stares unblinking at the road ahead before he can get another thought out.
“How do you think it’s going?” he says.
It’s funny but nobody has asked me that, at least not recently. I sit in the passenger seat of that car on that long highway on that gray day and I realize that no matter how Clay puts forth positive news and sugarcoats it we may have very well come close to the end. Bob Ackley’s campaign has stopped us in our tracks. We may have reached the peak of our momentum and my popularity and my breath catches because for the first time I allow myself to realize that I have known this for weeks. Somewhere inside of me I’ve allowed myself to except that we don’t have a chance of winning, even without evoking the idea that it may be God’s plan.
“It’s going really well,” I say “We’ll see after the debate.”


Frank Wagner lives in a pale yellow two story house about fifteen miles outside town. It has been years since he has agreed to meet with a candidate at their respective offices. If you want to work with Frank then it is your responsibility to get to him and to follow his instructions to the fullest. Frank has refused to go beyond working as a consultant since working as a full time member of the staff on the failed second campaign for president by the first George Bush. It is rumored that he has advised a number of Democratic candidates in the past but that does not bother me. He is one of the best and this is our second meeting and first full debate prep session.
He greets us at the door and I immediately smell the stink of my uncle Jefferson; Blatz beer and Southern Comfort. Frank shakes my hand.
“Who are you?” he asks coldly and his red eyes give Will the one over.
“He’s one of my interns,” I inform him.
“You want him here?” Frank wonders and turns towards me with a grimace.
“What’s he supposed to do? Wait in the car?”
“Yes. That’s what interns do.”
Will nods and begins to make his way back down the stairs to the sidewalk.
“No no no. Will, come up here. You can watch and take notes or something,” I tell him and he jogs back and joins us inside the house.
Frank keeps two mean red eyes on Will all the way to the living room where he leaves us as he retreats to the kitchen. He returns with a glass of water for me and a glass of whisky and ice for him. He drags an old wooden chair over and directs me to sit in it while he drops back into the couch with his drink and puts it to his lips.
“Now, Ackley will be in this debate, is that right?” he asks.
“Yes. As far as we know.”
I grimace at his drink. He doesn’t seem to notice.
“Alright, from here on out we’re going to focus completely on Bob Ackley. The other candidates don’t matter. They’re background. They might as well not even be there. As far as you're concerned it’s you and Bob Ackley on that stage and no one else.”
“Must you drink right now?” I ask and he’s stops himself short. He blinks and doesn’t even seem to understand what I have said. I nod at the drink: “Must you drink while we’re doing this?”
He looks at me like one does to the protesters outside my office. I am a crazy person, stupid, a child. He raises his glass and takes a large gulp.
“Listen Mrs Bates-”
“Marsha.”
Marsha. I’ve been in this business for thirty years. You have been in the national spotlight for what? A year at most?”
“I was elected to congress nearly three years ago.”
National spotlight. National. You are here so I can coach you so you can compete on a national level. When you go out on that stage Thursday you're not going to be just speaking to a bunch of Jesus freaks and Right wing nut jobs. You're going to be talking to all kinds of people. People that vote. I am going to prepare you for that and how I do it is my business, whether it involves a drink in my hand or not. I do my job my way. Your job is to simply take what I say and use it to your advantage. Do we understand each other?”
I nod and let me breath out, slowly. I don’t have to like him. I just need to listen and absorb some of his points. He waits a moment to see if I will challenge him and then moves on.
“Right out the gate the Republican establishment is going to be shining it’s spot light on Ackley. He’s the one they want, not you.”
“I know that,” I say, my voice bitter and hard.
“So, you have to force them to want you by becoming someone they can see as their candidate. You have to go after Ackley, but not too much. You have to speak to the base that has gotten you this far, but not too much. You have to impress these people and show them that you can compete against this president and think on your feet.”
He sits forward on the coach and points one thick pink finger at me.
“Mrs. Bates, how old is planet Earth?”
I gather myself and lay both of my hands on my knees.
“6,000 years, give or take.”
Frank takes back his finger and the red eyes squint at me.
“Jesus Christ, you can’t say that.”
“Please don’t use the Lord’s name in vain.”
He pops up from the couch with his drink in his hand and paces the floor in front of my chair.
“I thought from what Logan has told me that you were farther along than this. I thought you had a least a notion of how to make your answers work.”
“I said ‘give or take’!” I protest. I can feel the blood in both of my cheeks.
“You said 6,000 years! Without me even dragging it out. Do you know how many people write you off as a nut job when you give an answer like that?”
I can’t look at him. I glance over at Will who is looking at both of us with his hands grasping the arm rests of his chair. I glance at the floor.
“Mrs. Bates, Marsha, it’s time for you to make a conscious effort to tailor your answers for the bigger stage. Otherwise this is all a waste of time.”
“It’s what I believe.”
I hate him. He is the little worm reporter from Cornerstone magazine and the protester who cursed me on the street and Clay and my Father all rolled into one. He places his drink on a coffee table and leans down towards me.
“I don’t care if it’s what you believe. You keep it to yourself and answer the question by not answering the question. You pass it on. You say leave it to the scientists. You say something. But you do not answer the question with what you believe.”
I look out the window at the day outside and am thankful for the clouds cover the sky and that God can’t see us.


The drive back to the city seems to take longer than the ride out. After nearly five hours at Frank Wagner’s I am fatigued. I am dried out in mind and spirit but I am not feeling down. The confidence I felt waning that morning is now renewing itself inside of me and the lights of Ames Iowa are inviting in the distance under the purple sky of evening. Will drives and says little, concentrating, thinking maybe. He was silent through the entire session at Frank’s, observing respectfully, and I can’t help but wish to know what goes on behind those eyes that take in everything carefully, methodically, barely blinking.
“Are you a Christian Will?” I ask.
“Yes.”
His reply is quick as if he was waiting for me to say something.
“When did you find the Lord?”
“When I was a boy. I was raised in it.”
“I wasn’t,” I tell him and he looks away from the road for a moment to glance at me, “I always believed a little but I didn’t find Him until I was eighteen. My Dad was a salesman and we moved around constantly and we never had a chance to really make a place a home or become part of a community and he was always gone-” I stop, catching myself. The fatigue is making me ramble a bit. I can feel Will listening next to me and I let it go. “It was a great feeling to give my soul to Jesus. It was like coming home finally.”
“Were you close to your Dad?” he asks.
It’s dark in the car now. There’s a little light coming from the dashboard but there are no street lights on that part of the freeway and I can’t see Will’s expression, I can only see a hazy outline. His voice sounds different from how it sounded earlier, more at ease and confident.
“No, I wasn't. He was never home. All he cared about was making sales so he was always out doing that. That was his true faith, selling things, no matter what it took.”
“I guess people can believe in whatever they want,” he says and I wish I could see his face.
“I guess they can. But me and you both know they’re not going to necessarily make it to Heaven.”
I wait for him to answer but he doesn’t. I think he may have nodded but it’s too dark to tell.


The hotel room seems emptier than usual. Don is gone and when I check my messages I find one that has him explaining he had a late session and it was hard to tell when he would be back being that his patient is in crisis. It imagine it’s the patient Jeffery who flew all the way out from Wisconsin for a session with Don when we first came out for the straw poll and the debates. Jeffery seems to always be in crisis.
I throw my shoes off and drop into the bed, exhausted. I drag the remote control from the bed side table and flip on the television and the sounds and images of all that world are suddenly in the room with me. A man is trying to eat ten pizzas by himself. There are dirty looking Muslim men shooting guns into the air and yelling about Lord knows what. Latinos are laughing on their own network and trying to be like us while still speaking their language.
I push the button again and there he is; the President. He is speaking in that slow patronizing tone he always uses and is looking just left of the camera. It’s hard to even watch him. As tired as I am I can still feel the rage building up until it’s a knot in my throat. It’s not just his face that causes it, it’s all the people that supported him when he was elected and all that still support him now, even with everything that has befallen us. When I watch him speak I don’t see a president; a see a UN secretary, or a NATO press secretary, someone international, not an American, not someone you can trust.
I flip the channel after only a few seconds. I see the man has made it through half of his fourth pizza. He’s fat and he makes me laugh because he’s trying so hard to get all that crust and cheese down his throat. I flip again and there I am. It’s footage from the rally at Moose Park just a few days ago. I turn up the volume but there is a commentator speaking over the footage so I can’t hear my speech. Freaking A. I at least look good. I’m nodding, but not too much, and I’m making my point and looking very serious. I look presidential.
A commercial comes and I start to nod off. I wonder what Will thought of my speech at the rally. Or was he with the campaign yet? I’m not sure. I’m trying to remember and then I’m asleep.


Frank is more clear eyed today and he’s not holding a drink in his hand. I like to think that he’s actually taking this seriously.
“These guys doing the questioning for the network are going to try to trip you up,” he says and looks me right in the eye. “Don’t let them do that. If you don’t know the answer to a question or you're not sure then just bypass it. Do you know what I mean? Just go around it. Repeat the question they asked and just take a word, any word that may have stuck out in what they said, and use that as a way to bridge back to a point you were trying to make earlier in the debate. If nothing sticks out then just take the opportunity to go back to something Ackley said.”
He stands up from the couch and looks over at Will like he’s addressing a panel of commentators.
“That’s a very good question Dan but I would like to go back to address something Senator Ackley said. Senator Ackley, do you really think that socialist programs, the same one’s they used in communist Russia and other repressive governments, have been a help to the American people?”
“Did he really say that?” I ask and I can feel the hair on my neck stand up in excitement.
Frank looks down at me, yanked out of his role playing.
“I don’t know. I was just using an example.”
It’s our third session this week and things are going well. I can feel the techniques Frank throws out taking hold and adding to my confidence and strengthening the skills I have already accumulated over the years. Many of the things he says and shows me are things I have already known and sensed but it is exciting to see someone bring them right out in the open and explain their importance.
Will continues to drive me to the sessions. He sits on the couch and watches Frank point and bellow and carry on and he watches me take it in and become a solid competitor right in front of him. Part of me wishes I could see it all from his point of view, to watch myself actually become better and more fluid in such a short time.
“You know if they ask me something that they try to angle really liberal and lofty I can always answer the question with some horse doo back at them,” I say.
“What do you mean?” Frank asks.
The red eyes squint at me suspiciously.
“I’ve done it before. Someone asks me some cruddy thing and I just throw it back at them and make up my own crud as a reply.”
“Make it up?”
“What does it matter?”
Frank takes in a breath and lets it go stale in his lungs as he turns what I said over for a moment.
“That’s true, as long as you say it with a confidence that convinces people what you're saying is true then it doesn’t really matter. But it can be tricky. Especially when they have fact checkers thrown into the post debate spins. They’re checking everything that comes out of your mouth these days. Ackley will probably have twenty of his own people down there to do it that very night just to trip one of you up. I can’t recommend it.”
Frank paces in front of me and the chair.
“Also, you keep throwing in that thing about the shots they gave babies in Montana that Ackley sponsored. I don’t think that’s a good look. It’s too conspiracy theory or whatever. You need to stick to the things that are currently on people’s minds and not go beyond the mainstream.”
“Beyond the mainstream,” I mutter.
“Yes.”
“What if I don’t know what’s ‘beyond the mainstream.’”
“Well, then youre fucked.”
There’s a sudden frustration in his voice and the words come at me aggressively.
“I don’t care for that language,” I tell him coldly.
He collapses into the couch and rests his head back so that he’s looking up into the ceiling. He’s a pushy vulgar man and there’s sweat building up around his temples, probably from need of drink. I wish he would go and get himself one.
“A lot of people don’t think the Bible is exactly the truth.”
It is the first time Will has spoken during a session. Even though there have been three people in the room during every day it hasn’t felt that way and his voice is jarring.
“Shut up,” Frank says while still staring into the ceiling.
“Don’t talk to him that way.” I shoot back, “Go ahead Will.”
“Well, I’m just thinking that you may want to get away from the religious references for now. The people that agree with you are most likely on board right? It might be better off trying to talk about jobs and the economy. People won’t expect that as much as the other stuff.”
He looks as surprised as us that he’s opened his mouth.
“The kids right Marsha,” Frank brings his head down to look at me “A lot of the people in the mainstream probably see you as the ‘religious candidate’ at this point.”
“Is that a bad thing?” I ask and I’m irritated with both of them.
“Not necessarily but you should spend these debates getting people to realize that you’re more than that. Like the kid is saying. I mean, what do you know about jobs?”
I lock my eyes on him.
“I know the president isn’t doing enough to create them.”
Frank ignites into life and launches off of the couch.
“Yes! Good! That’s the ticket. You go up there with those kind of answers while keeping Ackley in your cross hairs and you're going to make some head way. I guarantee it.”
I’m annoyed that he thinks he’s made some sort of breakthrough. I’ve always had the tools to dig Bob Ackley’s grave it was just a matter of someone suggesting what plot of land to dig it on.


The hall is surprisingly shabby. The stage itself is fine, all the candidates have a podium and the lighting is top of the line, but the seats where the audience sits are old and worn and the backstage area is atrocious. Doris is there right on time and is applying her special make up camera combo on my face before the other candidates have even arrived. When they do start to show up it’s Melvin first with his entourage, Kelly and Birkstand walking in and having some sort of long conversation in the corner, and then Hangley, the fat one, and then Moore, the black one.
Ackley is the last to show up and the all the other men in the room seem to stop what they’re doing to look over at him. Melvin and Birkstand even go up and seem to fawn over him as we wait for the stage manager to call us out. We go out for lighting and spot checks an hour and a half before the doors open. Ackley has been positioned firmly in the middle of the stage and I am two podiums over from him. I am going to have to look through Moore to get to Ackley but that will be fine.
We are brought backstage to wait for the debate to actually start. There are a few press people that have been filtered in and one interviews me for a few minutes. I give soft simple answers to most of the questions and then give a hard slap to Ackley towards the end. The journalist, an ugly little man with a bow tie, appreciates the quote and seems to feel the energy and confidence coming off of me.
“Can’t wait to see you in the debate,” he says.
We’re called out and the lights are lit and the cameras are on and the room is packed. Ackley gets the third question and I can immediately see his angle. He’s all charm and chuckles and little jokes. It makes me want to vomit. When the question goes to me I’m all seriousness and professionalism and I keep it that way through the first half of the debate. Ackley seems to adjust to it and eases off on the jokes and the chuckles and I realize just how cunning this freaking son of B really is.
I can hear Frank in my head. Not too serious! You don’t want America to think you don’t know how to laugh!
I let myself smile during a rebuttal about the tax ceiling while also getting a dig in at Ackley about flip flopping. The network people leading the debate spot a juicy show down with that and turn the mic back to Ackley for his own rebuttal. With a smug smile on his face he points to how long he’s been involved in politics compared to my recent entrance. I let him tie the noose and then I pull it taught when I get my thirty second reply.
“You’re right Bob, I’m not a career politician. Where I come from that’s a good thing.”
There isn’t a roar of claps or cheers there in the hall but I can feel how it looked on television and how it will look tomorrow and the next day when the clip is replayed. It was short and hard and slightly sarcastic with a light note in my voice that delivered it perfectly. It was the high point of the debate and it has wiped that smile right off of Bob Ackley’s face.


Our post debate celebration is held at a pizza parlor. I try to give Clay some cold words about this but he’s distracted by two phones now, one to his ear and one held out arms length as he frantically texts and e-mails. I’m embarrassed by the surroundings, especially with two camera men taking in the scene from the other room but nobody else seems to mind. The interns and volunteers are gulping root beer and I pick at a salad and try to enjoy the moment. But a pizza parlor? Lord, I know Ackley is in an upscale hotel events room but I grit my teeth and try to enjoy it.
Clay gets off the phones for a moment and sits down next to me.
“I’m so proud of you,” he says and I can tell he means it. There’s no sugar coating in his tone. It’s genuine and it makes me feel good.
CNN goes to some clips of the debate on the wide screened television and the room becomes hushed as everyone peers over and watches my performance. They show the clip where I answer Ackley’s comment about my experience and everyone cheers and claps. Sandra the intern stands up and applauds. I smile at her and let it beam around the room. I get to the far right table where Will and the intern Dana Ellis are sitting and I see her talking to him and he laughs, his mouth open wide and his face stretched with genuine joy. It’s a moment of conspiracy between them and it breaks my concentration and I’m no longer smiling.
A number of people make their way to my table to chat and give me compliments on my performance but I’m distracted. Clay sits down in the seat next to me again and tries to have a brief discussion.
“I’ll tell you what stood out,” he says “Everybody else was up there trying to sell themselves and you looked so in control. There was no need to sell anything. You simply said your point and you did it with such, grace.”
“I didn’t mention God once,” I mutter and he looks at me strangely.
“That’s true. I guess you didn’t. You didn’t need to.”
He forces his face into a smile and I shrug at him.
“Listen Clay, I want you to let that new intern go. I don’t think she’s working out.”
I avoid his eyes and pick at the salad with my fork.
“Who? Sandra? She scares me too Marsha but she’s a go getter. We need people like that.”
“Not her. The other one. The skinny one with the big teeth.”
“Big teeth?”
“The one that showed up the same day as Sandra. The one with brown hair.”
“Oh, Dana. I forgot about her. What did she do?”
I look at him coldly, annoyed that he even needs a reason.
“I just don’t think she’s taking this seriously. Every time I look over she’s joking and partying when everybody is trying to work.”
Clay nods vigorously like he’s noticed it too. He types into one of his phones.
“No problem. We have interns coming out of our ears here anyway. By the way, Shelly sent an e-mail right after the debate and said our whole California office is staffed and ready to go. We’re on a roll.”
He holds up his hand while still peering into the phone and I give him a high five. He swings out of the chair and walks off and I wave over Pam and tell her to get me a taxi back to the hotel. I make it a point to not look at the table on the far right.


I let myself into the hotel room and am surprised to find the lights on. I drop my bag onto a chair and see Don and a man I don’t know sitting at the table outside on the patio. The man notices me first and nods at Don who twists his head around and stares at me in mock surprise. He stands up and slides the glass door open.
“Hey honey. I thought you were going to be later than this. I guess me and Ted got to talking about the Lord and next thing you know it’s eleven o’clock. How did everything go?”
“Fine,” I reply coldly.
I don’t know why but I am suddenly very annoyed. I have never been bothered by Don’s unrelenting dedication to his work but for some reason find myself resenting him for not being there tonight.
“Fine? I saw a few clips on TV and it looked like you kicked their butts sweetheart.”
I sit down on the bed to pull off my shoes and he sits down next to me, his heavy frame forcing my side up higher and I have to steady myself with one hand.
“How long is he going to be here? I left early because I was tired,” I mutter.
Don nods and stares into my face like he is taking in all my troubles and worries and concerns and making them his own. It is a look he gives people often and in this moment is adds to my over all irritation.
“We were just finishing up sweetheart. He’s gonna get going now.”
He pecks my cheek and it takes real effort not to pull my face away. He gets up, normalizing the bed, and makes his way back to the patio. I take off my earrings and put them on the bed side table. Don and Ted make their way through the room and Ted nods at me sheepishly as he passes the bed.
“Nice to meet you Mrs. Bates. Dr. Bates has told me a lot about you and everything your doing.”
He offers his hand. I take it and flash the smile at him to put him at ease. He’s skinny and pockmarked and looks younger than his actual age.
“Ted hasn’t really been following politics honey. He’s been having a tough time the last few years,” Don explains.
“Yes ma’am. Was doing a lot of the meth and ended up in jail to be completely honest and out right with you here. But I’m saved now thank Christ.”
“Thank Christ,” Don echos and puts his hand on Ted’s shoulder.
“Our campaign is all about giving a voice to people like you Ted. People that have pulled themselves back and are trying to improve themselves and this country. That’s why I’m running for president.”
Ted smiles and his teeth are crooked and misshapen.
“A lady president. Isn’t that something,” he says and follows Don to the door.
After they leave I switch on the TV and try to see what they’re saying about the debate. They keep showing Ackley, that smile, his idiotic wave. The freaking worms. It takes a few moments but then they finally show my career politician reply. It’s perfect. I don’t look like I thought of it before or had it prepared. Did I have it prepared? Or did Frank give to me? No, I may have said it before but I’m sure I’m the one that came up with it. The debate in my head becomes blurry as does the television screen and I fall asleep on top of the bed, fully clothed and in Doris's special camera make up.


Sandra picks me up in the morning from the hotel and talks my ear off in the car about the debate and the reaction and everything else. I tune her out mostly and watch the street pass. When we get to headquarters there are people everywhere. They all seem to be in a rush, running this way and that, stuffing envelopes, drinking coffee, talking into phones. None of our offices have ever been this busy or well staffed. I shake ten hands before I make it across the room, trying to escape to the back office. I am almost to the door when Clay flies out and points at me with his eyes bulging wide.
“You haven’t heard yet have you?!” he demands and I shake my head.
He sees Sandra standing behind me and directs his finger towards her sternly.
“You didn’t tell her did you?”
“What?” Sandra replies. Her puffy face goes tight and the cheeks go from pink to red.
Clay drops his arm and takes three steps into my face so that my whole world is his blue eyes with the bags under them and his receding hair line.
“We’re up!” he cries “Every poll since the debate has us up. We’re passed Moore and Birkstand and every poll has you no more than fifteen points behind Ackley.”
He waits for my face to acknowledge what he has said but since nothing is happening, since no part of me seems to know how to react, I stand dumb and blank and he feels he has to explain more.
“Not only did last night push us up, not only did you crush them last night, it hurt Bob Ackley! The consensus is that he was weak in his first debate and that you were the only, the only, clear winner!”
He holds up his hand and I slap it and the people around us erupt into a spontaneously pocket of applause that spreads across the room. The intern Sandra moves in for a hug and I give her one before Pam somehow pushes her way in and I hug her to. I give her the warm rub on the back she deserves. Good hearted loyal Pam. Been with us since Wisconsin. She deserves it.
I let her go and prepare to hug the next person and I find Will standing in front of me and stop short, smiling at him awkwardly. He smiles back and gives me his hand and I take it before embracing him as well. We keep it short and then I’m shaking hands and hugging all the interns, some familiar, some not, and Clay is dramatically standing up on one of the chairs and speaking over every one's head.
“We are going to the White House people!” he cries.
I smile up at him and let it beam across the room as we all share this moment of hope and possibility. I smile because what he says actually has a glimmer of hope. I smile because I see no sign of the intern Dana there in the room.

Wednesday, October 26, 2011

Part 6: PB James and The Man at the Top


Part 6
He sees the trees below and while they are approaching fast he is still surprised at how long the fall is taking. It seems to go on and on, just him alone out in space, and he can't help but reach out and flap his arms and legs in desperation. He grabs at the air as it rushes by and he doesn't notice that he's screaming.
His body had taken over and made the decision to leap, there hadn't been any thought involved in the decision. His body had seen what the bear had done to the Russian and was horrified at the idea of the thick black claws ripping into it and spilling it's guts all over the ground. He was already off the cliff and plummeting into the valley below before his mind caught up and realized what the body had done and that both mind and body and everything else that made up PB James could very well be doomed.
The world turns green as he falls into the branches of a tree, bouncing off the wood and pine needles and flying into the neighboring tree and sliding along it until he's out in space again. The branches have slowed his decent considerably but he still can't see that there's a creek below him and when he crashes into the water it is a shock that stops his heart and his blood is instantly clogged in a suspended animation within his veins. It is the deep part of the creek but it is only a few seconds before he hits the bottom. His body mashes into the mud and his shoulder is crushed up against a rock and the pain makes his heart beat again and the blood flow again.
His nose and mouth are full of creek water as he desperately scrapes along the creek floor, dragging out handfulls of mud and root. He labors to the surface and drags himself up onto a rock and lies there in the sludge and creek slime. He knows he is alive because of the searing pain in his shoulder but he can't figure out how or why or what it means.
He lies there next to the creek and let's his breath steady and his heart beat get back to normal. He crawls over to an old pine tree where the sun is breaking through the forest and slowly removes his jacket and places it on the ground to dry out. He pulls the collar of his shirt down and inspects the shoulder. It is dark purple with a bloody gash along his back. He doesn't touch it but simply tells himself it could have been worse. He pulls off his shoes and his socks and rings the socks out there on the ground. He looks down at his bare feet and is unsure of what to do until he thinks of the bear. It isn't that far away and for all he knows the monster is on a trail towards him. He pulls both the soggy socks and the drenched shoes back on and makes his way into the woods.
He has no clue where he is or where he is heading except that he is building distance between himself and the cliff where he last saw the bear. There is no trail and at times the bushes and tangle of thickets become so thick and impenetrable that he must alter his direction. The sun pounds down through the trees and heats the leaves and the dirt. He wipes the sweat from his forehead and finds his hand smeared with blood. He realizes that his fall through the branches has left him scraped up and wounded and his shoulder aches.
His stomach tightens with hunger and he licks dry lips with a dry tongue. A large hill with a round granite peak stands solitary and majestic directly in front of him and he decides to climb it in hopes of gaining a view that might reveal some sort of help in the distance.
It takes him nearly two hours to reach the round granite domb at the top. The rock is smooth and gray and a dry wind blows along it. It gives him a three hundred and sixty degree view of the country around him. Thousands of trees stretch out in an endless carpet of green with mountains spread out along the horizon and the cathedrals of granite pushing their way up out of the trees speradically like they are marking the graves of giants. There is no sign of a road or a building or human civilization of any kind. The landscape is vast and PB feels the hope drying up inside him.
He sits on the tip of the domb and tries to gather his thoughts and get beyond the thirst and hunger. He believes he and Sam set off on the John Muir trail from the south west but he isn't sure. If he can figure out the basic direction he should be able to reach a road in, four hours? More or less? He can flag someone down and have them drive him right to the police and they'll be able to locate the hidden fortress in the hills.
The sun is bright red and sinking rapidly when he makes his way down the mountain and back into the forest. It's increasingly dark under the trees and everything seems more alive than it had been during the day. The bushes seem to crack and shake with the movement of unseen creatures and PB can hear their cries coming from deep inside the valley.
He pause his hike amid the bustling darkness and rests. The cold begins to push it's way into his body and he wraps his arms around himself and lightly stomps his feet on the ground. He is no longer sure that he's going in the right direction. He is no longer sure that hiking through the woods at night is safe or productive.
He sits and shivers and worries until he begins to hear what sounds like a low hum coming from somewhere in the distance. The noise quickly builds until he recognizes it as the rapid chug and growl of a helicopter approaching. He stands up and peers as far as he can into the dense forest behind him until he can make out a spotlight fluttering about and shifting through the trees. The excitement spreads along his scalp and he forgets his thirst and hunger and the cold to the prospect of being rescued.
He stumbles through a thicket and over a log, desperate to find a place to be seen by the spotlight. He can't see the helicopter through the trees but it's noise is oppressive now and he looks back at the light, fifty feet away, and spots a family of foxes running in terror from it's beam. He breaks into a large clearing and cackles in delight. He thinks of the first meal he'll get. A burger, with cheese. And grilles onions. And bacon. With mushrooms. And a fried egg. And onion rings.
His mind is filled with all the options as he flaps his arms in the middle of the clearing and the spotlight breaks through the line of trees and engulfs him. The helicopter hovers somewhere above him and he's blinded. He wonders if they will try to land or drop one of those rope ladders you see in the movies and then he notices that the rocks and dirt around him are jumping up in the air.
He looks over at the leaves hopping around violently like an invisible man dancing sporadically and then a bullet flashes by his ear with a high pitched scream and he runs for his life as machine gun fire rains down into the clearing from the helicopter.

To be continued in Part 7.

Thursday, October 13, 2011

Part 5: PB James and The Man at the Top


Part 5
They march across the valley, the well dressed Russian leading the way, the Ranger bringing up the rear with the automatic weapon, and their two captives walking single file between them. No one speaks. PB sweats and and aches. His pack drags down on him along with the sun and the gravity and the fear of not knowing what will happen next.
They push along for another half hour until they reach the far side of the valley and begin to make their way up the incline into the wooded hills. Sam and PB watch the huge Russian pull a silk handkerchief from his suit jacket and brush the sweat from his forehead and off the the back of his wide creased neck. The big man is breathing hard but his pace stays steady and he plods on like a well dressed bear in the woods.
The path comes to an end in front of a granite wall that goes straight up to a cliff fifty feet above them. The Russian pulls a cell phone and punches away at the buttons until the rock begins to rumble and then splits away into two halves, revealing a warehouse roll door behind it which begins to go up as well. The Ranger motions with his guns and they all step into a wide hanger lit by dim florescent lamps that hang suspended in the rock ceiling. The Russian leads them through the hanger to metal stairs that they climb to a long hall dug into the rock. They walk to a steel door at the end of the hall and the door slides open as they near it.
They all file into a room, bare except for a small table sitting in the middle of it. Sam and PB blink, trying to adjust to the limited light. There is a computer monitor sitting on the table that comes alive with a hiss and flash of light on it's screen. The Ranger pushes both Sam and PB closer to the monitor.
"You're name is Samantha Siegal. You are Abraham's sister."
The voice is coming from the monitor and is distorted and inhuman.
"Who is the other one? What is your purpose?"
PB looks into the monitor to address the voice but the screen only flashes light and fuzz.
"PB James," he says.
"Who are you?" the monitor demands.
"I'm just...a guy."
The monitor goes silent.
"Who are you and what is this place?" PB asks.
"Silence!" the monitor bellows "By the nature of your arrival I conclude that your purpose is to retrieve Abe Siegel, but at this time Mr. Sielgel is in the employee of the company and is not available to you."
"What company?" PB asks.
"Silence!" the monitor cries and PB can feel the Ranger's rifle digging into his side between the straps of his pack.
"Mr. Siegel was hesitant at first but after a few more days of sleep deprivation and doses of psychotropic drugs in his food I'm sure he will come around and begin to become productive in his task."
"Have you hurt him?" Sam cries.
"Calm yourself. No harm will come to you or your brother."
The screen flashes off and the transmission ends The Russian's cell phone rings. Two more men came in through the steel door, take Sam by each arm, and begin to lead her out of the room. PB takes a few steps in persuit until the Ranger is standing in front of him with the gun. Sam glances back and PB sees the fear in her eyes before the steel doors close behind her.
The Russian gets off the phone and nods at the Ranger.
"Time to go buddy," the Ranger says to PB and leads him to a door on the far side of the room.
They make their way down a long tight tunnel of rock until another steel door opens out into the bright light of day. PB blinks in the sun until the Russian and the Ranger are nodding into the trees and they make their way to a clearing at the edge of a cliff.
PB looks out into the valley and tries to take in all it's color and grand beauty. He feels very strongly that his life is about to end and wonders if he lived a good one and what it really meant. He can sense the Russian and the Ranger standing behind him and he regrets that he watched so much television and didn't read more books.
"Are you going to jump buddy?" the Ranger asks.
"No."
"Then you shall be shot," says the Russian.
PB realizes he's about to die with a heavy pack strapped to his back. He takes it off and drops it to the ground. The Ranger raises the rifle and PB is ashamed he can't look at it and looks at the Russian instead. The Russian's face is wide and cold and PB focuses on the tress beyond him. The trees are very green and beautiful and he's glad they will be the last thing he see's before leaving Earth.
He's surprised when the shadow of one of the trees rises off the ground and begins to approach them. He doesn't realize the shadow is actually a huge black bear until it has stalked up behind the Russian and is breathing down the big man's back. The Russian turns around and doesn't have time to see what hit him before the bear swipes at him with one gigantic paw and separates the wide head from the thick creased neck. Blood sprays across the grass and the air is suddenly filled with the steady chugging of the Ranger's machine gun. The Ranger bellows, loud and high pitched as he shoots the bear. He must be a horrible shot because none of the bullets seem to be hitting the animal. The bear is walking passed the Russian's decapitated body and is still approaching PB. The bear's huge dark eyes stare at him and PB finally allows himself to admit that he is not ready to die.
The Ranger continues to shoot, the bear continues to approach, and instead of waiting around to see what happens PB takes a few steps backwards and jumps off the cliff.

To be continued in part 6.

Saturday, October 8, 2011

Mulholland Drive: Furlough Film # 5








(Every furlough day Dublin and Robert Fong get together to view a film and have a discussion about it. This time Bob Fong's neighbor Paul joined them as well. The following is a transcript of that discussion.)

D: David Lynch? Oh God.
R: You said I could pick after you picked that shitty Cohen brother's movie last time.
D: Yeah, but-
R: You don't like Lynch?
D: I don't know. I still haven't figured out if he's an idiot or a genius.
P: Is an imbecile worse than an idiot?
D: What?
R: I've always wondered: technically doesn't it go moron to idiot to imbecile?
D: I really don't know.
P: Maybe it goes the other way.
R: Let's just watch the movie.

(They watch the movie)

D: Huh.
R: Man, talk about good, bad, bad, bad, good, bad, good, bad, bad.
D: What's that mean?
P: It was trippy.
D: Sure was. Didn't make all that much sense either. Or did it?
R: None what so ever.
D: Maybe it wasn't supposed to.
P: It made sense.
R: How? What the f**k are you talking about Paul? You got a couple'a chicks lezing it up in a LA apartment. You got a couple of weirdo's in a Denny's talking about dreams. You got a director making a movie and being pressured in his casting by some sort of mafia. You got a dumb f**king hit man that can't seem to do anything right. Then you got everybody flipping around and changing identities. I mean what the f**k?
D: You did have stuff that kind of just went no where.
R: No where!
P: You guys didn't get it?
R: No!
D: Not really.
P: It was all a dream. The first part is Naomi Watts' dream of what she wished her life was like. Then she wakes up and it's her reality and she can't take it and kills herself.
R: Why would Naomi Watts dream about some half wit director and the mafia for? Why?
P: Don't people in your real life pop up in your dreams in some odd way? It happens to me.
D: Yeah, that happens to me sometimes.
R: Okay, both of you seemed to like this movie.
D: I respect it.
R: I respect it too! Especially when the two women take off their clothes and start doing each other.
P: That was a good love scene.
R: Love scene? F**king sex scene man. Come on.
D: I like the non-sequiturs.
P: I don't know what that means.
D: Just stuff that went no where. It made you feel like you were in a dream kind of.
R: Hmm. When the women started doing each other I felt like I was in a dream. Other than that-
P: I think if Dublin felt like it was a dream then the movie is a success. I think that's what David Lynch was going for.
D: Well said Paul. Have you seen anything else he's made?
P: Dune. It sucked.
D: Yeah, it did.
R: Blue Velvet f**king ruled.
D: It was similar to this one. It had the whole dreamy feel.
P: I really like that scene in this one with the coffee. You know? The part where the mafia guys are pressuring the director to use that girl and that one dude spits all his coffee into his napkin?
R: I like the hit man scene. That was f**king hilarious.
D: That was good. I really liked the scene where Naomi Watts tries out for the movie. All this weird stuff is going on and then she goes in and does this acting that is actually quite good for a script that is super cheesy and dumb. I actually loved that scene. Naomi Watts was wonderful. I think this movie blew her up.
R: Laura Harring is hot.
D: I wonder what happened to her.
P: I got to ask you guys something.
BOTH: Yeah.
P: Why do you always watch super old movies? I read the blog and all the Furlough Films are super old. This movie is like 10 years old. Shouldn't you be discussing new movies?
R: Like what?
P: Maybe Moneyball or something?
R: F**k that.
D: It's a good suggestion. Thanks for joining us Paul.

Taken from a transcription by Peggy Menchstone on 10/05/11