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Monday, December 26, 2011

Letters: December 2011




Throughout the last six months I've received a few e-mails with questions and comments about the content of Dublin's World. I've tried to reply to each person personally but missed a few here and there and thought it might be interesting to just throw the comments and questions up on the internets and try to reply the best I can. The following is an attempt.


Why are the movies that you discuss so fucking old?
-Anonymous

Dear Anonymous,
This was actually touched on in the Furlough Film posting for Mulholland Drive when Paul asked the same thing. There's not really a reason except that we are not going to theaters to watch these movies. Bob and I are in my apartment or we're at his parent's house because we need to pause sometimes and have some drinks and be comfortable. Plus, to quote Bob, "most new movies suck ass". We have only been doing Furlough Films for a little over a year and there are so many films that we weren't around to discuss. Take Mulholland Drive for example; would you rather we discuss that or discuss "We Bought a Zoo" simply because it's brand new? You're actually lucky, I'm always saying we should discuss some of my favorite movies from the 50's and 60's but Bob feels very strongly that we shouldn't go farther back than the 90's. I think the oldest movie we've done is Reservoir Dogs but I might be wrong.

Are you going to finish Marsha Bates? I like it and I'm waiting for the next chapter. What the hell man?
-Brie, San Francisco CA

Yes, we should have the next installment before the end of the year. I create deadlines for these things but sometimes it just doesn't work out. To be honest I got a little knocked off track due to a short story I got sucked into called Paintings of Empty Rooms. It's not an excuse. I'm still excited and fully involved in Marsha but you got to strike when the iron is hot, feel me?

Do you think Marsha Bates is even relevant now that Michelle Bachman doesn't have a chance in hell of winning the Republican nomination?
Lonnie, San Rafael CA

Lonnie,
Is it still relevant? The Temptation of Marsha Bates is a piece of fiction and Michelle Bachman is a real person. I don't think I really understand the question.

Honestly, I have read less interesting fiction in creative writing work shops in grad school. Is PB peanut butter? This story is a lot of fun to read.
-Mishla

Mishla,
That's very sweet of you to say, thank you. I don't know what PB actually is but the name itself is a tribute to the great English crime novelist PD James. The PD in her name stands for Phyllis Dorothy. She also wrote the book that one of my favorite movies is based on: Children of Men.

I like a lot of you're writing but I think the PB James stories are a little too unbelievable.
Allen, Los Angeles

Allen,
I'm sorry to see that you feel that way. I agree to a certain extent that we kind of stretch the reach of reality with PB James but that's in the tradition of what PB is based on; the thrillers and supernatural adventures of old dime novel pulp. I like to think that while PB gets a little ridiculous at times, we still keep one foot in the real world to keep it interesting. That's really the whole idea behind PB; to do a tribute to old pulp while still keeping it rooted in contemporary times.

A lot of this shit is waaaaaaay too long. You expect me to read that?
-Sheldon, Atlanta GA

Sheldon,
Some pieces are pretty short and some are a little longer. And no, I don't expect you to read it if you think it's too long or you just don't like it. Why would I?

Robert Fong is seriously a misogynist.
Regina, Sebastopol CA

Regina,
One of my friend's mothers actually sent a message saying the same thing. I think it was mostly due to a piece he wrote on the film The Painted Veil (which he liked by the way). Listen, I don't agree with a lot of the things Bob says but he is a friend and he does have an incredibly extensive knowledge of film, International as well as American. Also, when you're reading something on the Internet it's hard to register sarcasm at times.

I truly enjoyed Raised in a Barn. Will Chuck Huffam be writing more content for Dublin' World?
-Dillon Revano, Seattle WA

Dillon,
Yes, we love Chuck too. We are excited to have more of his work featured on this site in the coming year.

Hi, I've been reading Dublin's World since January and really dig it. Way to go! The only problem is that it's not clear who is writing all the stories. Some have people's names and some don't. Do you write most of it, or all of it? Or do other people write a lot of it themselves? Please explain.
-Amy, New York NY

Amy,
Yes.

That will do it this time around. Please note that I had to cut down a lot of people's letters due to space and relevance. I hope no one was offended and I look forward to receiving more of your feedback. Thanks to everyone who wrote and thank you to everyone who has enjoyed Dublin's World in 2011. Happy holidays!

Thursday, December 15, 2011

Part 11: PB James and The Man at the Top


Part 11
Bill Gates stares at them both with no emotion and the eyes behind his glasses do not blink.
"Mr. James, you are quite the pain in our collective ass are you not?" he says and stands up from the desk, turning his back to them to stare out the huge round window.
"I'm not trying to be anything," PB protests. "I'm just trying to figure out what's going on."
"The future, Mr. James. The future is what's going on."
Gates turns around and PB is struck by how the man looks just as he does in photos and TV; the graying hair cut short, the little glasses, the sweater with the shirt collar sticking out. The only surprise is that the man is shorter than PB imagined. Gates can't be more than five feet tall and the cold stare he beams at Sam and PB is more chilling than anything PB has seen in TV or magazines.
"Abe, are you alright?" Sam asks and she crouches down in front of her brother with tears in her eyes. Abe's eyes don't move, he stares passed her, not seeing her, and she waves her hand in front of his face looking for a reaction.
"What the hell is gong on Bill Gates?" PB demands.
The little man's face relaxes slightly and he looks like he is on the brink of grinning.
"The future, like I said the first time."
Sam steps away from her brother and looks as if she may leap at Gates and rip him to pieces.
"What have you done to my brother you monster?"
Gates takes a deep breath and sighs, placing his hands lightly on the back of his desk chair.
"Your brother is a visionary Ms. Siegel. He had a vision and I have harnessed that vision, even against some of his own wishes. You have nothing to fear for him. He has cemented the future of this company and for that I will be for ever grateful. You see, only months ago my contemporary and in some ways most bitter enemy passed on from this life, and like me he is the vision and figure head of his company. He is gone and his company remains but for how long? In time, without Steve's vision and leadership, Apple will fall to the wayside, like any company that has lost it's visionary, from Ford motor company to Kodak. I will not let that happen to mine."
He pauses to let his words sink in but his audience is silent and hostile and he continues on.
"See I'm well aware that my own company will fall to the wayside over time without me as well. To deny that from happening I have to make sure I am here in the future to continue my vision. I will of course die, there is no getting around that. Trust me, I have tried."
Bill Gates stands very straight and loses sight of the others in the room. In his mind he is suddenly speaking to a hall full of thousands listening intently.
"The only way to save the company is to make sure there is another me to take over in the future. Mr. Siegel created a way to do that. To make sure there was another me to take the reigns. A me with the same thoughts and memories and vision."
"You don't mean-"
Sam covers her mouth with here hands. The eyes behind Gate's glasses shift towards her but he still does not see her.
"Yes, with a clone," he says. "Mr. Siegel has created a device that allows every element of a living creature to be recreated exactly as is and then be saved and replicated for eternity."
"You killed people!" PB cries but Gates doesn't see him. The little man peers off into his vision.
"After this morning's tests we are on-line for tomorrow morning's transfer. I will enter the pod and the device will scan all the molecules in my body and then send the information to a satellite in space which can not be erased, even by me. When my death comes trusted members of the company will access the information and create a copy of me to continue my vision without missing a beat."
An alarm is suddenly blaring loudly in the room and Gates is freed from his spell. Abe slightly stirs in his chair before falling back into a restful lull again. The door burst open and the Ranger enters the room with his pistol drawn. He takes in PB and Sam and levels his gun on them.
"Rick. What is the meaning of the alarm?" Gates demands.
"It's that bear!" the Ranger explains "The same bear that killed Boris Mr. Gates. He's torn through the warehouse door and is raising hell in the level one garage. He's already killed three of them men sir."
The eyeballs behind Bill Gates's glasses swell and dilate. He turns towards PB before asking: "Why would a bear attack the compound? What would drive the beast so mad?"
The walkie talkie hanging from the Ranger's belt screeches with a blast of terror as multiple voices speak in a garble of Ukrainian, Russian, and machine gun fire. He turns the volume down with one hand and keeps his gun leveled on his captives with the other.
"Mr. James, once again we have come to the point where we are no longer in need of your presence," Bill Gates turns his cold stare from PB and back to the Ranger "Please take Mr. James out the back corridor and finish the job you were supposed to carry out three days ago."
"No!" cries Sam and she takes a step forward before Gates pulls out his own small silver pistol.
"Please be calm Ms. Siegel. Your friend will not suffer. He will be gone and you and your brother will be safe and we can all move on from this. Rick!"
The ranger shoves his gun between PB's shoulder blades and forces him through the door. They make their way down the hall towards the elevator. There is the muffled sound of machine gun fire coming through the floor, maybe two levels down at most. It begins to dawn on PB that after escaping death so many time that week he could have now run out of luck. This could be it.
"Rick. Your name is Rick," he says aloud.
The Ranger pushes his gun deeper into his captive's back and says: "Yeah, what's your point?"
"You're Ranger Rick for God's sake!"
PB can't help but chuckle and they pause at the elevator doors as Ranger Rick hits the button.
"You're a real smart ass aren't you?" Rick mutters "You probably think your a real tough guy with how you been getting lucky out there in the woods. If that bear hadn't come out of no where and got Boris I would have smoked your ass then. I almost had you in the chopper too but you ran like a little bitch didn't cha?"
"I like to think I was more like a rabbit. It helps that you can't aim worth a shit," PB replies.
"I'll shoot a God damn mosquito off a daisy boy. It was that drunk Russian flying the chopper. Son'a bitch couldn't keep it steady."
The Ranger spits a blot of tobacco juice down at PB's feet and when the ding of the elevator's arrival sounds out he pushes his captive towards the doors. The doors open slow and steady and for a moment PB thinks the car is empty. It looks dark inside, like the light is out, until he realizes that the darkness is the black hulking body of the Bear the Hates Humans. Instinct pulls PB to the floor and he looks up as the Bear's massive arms reach out and grab Ranger Rick by both shoulders, pulling the man into the elevator like a tremendous child picking out the doll he wants to play with. The inside of the elevator is all blurry dismemberment and blood and the doors close on Ranger Rick's screams.
PB stays on the floor for a moment, letting the shock wash over him and distract him from his aching body. He slowly gains his footing and makes his way back to Bill Gate's office.
"This is quite ridiculous Mr. James. You really must learn your place."
Gates is looking over his glasses at him and holding the silver pistol loose in his hand while Sam and Abe are sitting in the chairs before him.
"We need to get out of here Gates. That bear is killing everybody," PB explains and he closes the door behind him when he hears the ding of the elevator from down the hallway.
"I have a small army of mercenaries guarding this compound Mr. James. There is no way a......wild animal has broken through a security team made up of some of the most-"
Gates is cut off by the long protracted sound of the Bear's claws scrapping down the length of the wooden door. PB helps Sam get Abe out of his chair and they prop him up with an arm thrown around his sister's shoulders.
"How do we get out of here Gates?" PB cries as the Bear begins to the throw his hefty bulk against the door.
"There is no way out. Just through the door," Gates explains and his face has gone ashen.
"You don't have some sort of secret escape passage or something? I thought all super villains had those."
Gate's eyeballs scrape around in their sockets in irritation and PB can tell he's gotten to the man.
"Super villain? I'm a philanthropist," Gates declares.
"Murder and kidnapping?" Sam's voice is choked with rage "You are a criminal who poses as a philanthropist. You're an asshole. And a nerd!"
Bill Gate's face goes from pale to red and then back to pale when the door creaks, stressed from the Bear's continued blows. PB goes behind the desk and grabs a chair with both hands. He hoists it up in the air and begins to bash on the glass window. His shoulder burns and his ribs cry out in pain but he bashes until cracks appear in the glass. He continues to wack at the window until it finally gives way and the air and floor around him become filled with glass. He uses the chair to climb through the hole he has created and he stands inside a shallow indent within the granite dome.
"Let's go!" he cries through the jagged edges.
Sam carries her brother over and they go through with Gates bring up the rear. All four of them scale down the dome along a steep narrow path in silence. The sun is starting to crest when they reach flat ground. PB stops in his tracks when he hears the cock of the gun behind him.
"That's far enough Mr. James."
PB turns around and faces the little man. Gate's glasses are foggy and his forehead is drenched in sweat.
"You're going to kill me now? I just saved your life."
"It is nothing personal Mr. James. You simply know too much."
"What's going to happen to them?" PB asks and motions towards the Siegels.
"They will be transported to another of my secret facilities and taken care of."
"Taken care of?"
"Yes. Ms. Siegel and her brother will live a life of luxury in the care of the company. Nothing will harm them and you can rest easy knowing they will be live long and prosperous lives."
"As your slaves." Sam mutters, her eyes red with anger.
"Describe it as you will. It is the only choice you have. Otherwise you can join this man in death now if you like."
Gates raises the gun and aims directly at PB's face and PB is too tired and frustrated to look away this time.
"The machine that copies all your molecules. What does it look like?" he asks.
Gates pauses with the gun raised and the wrinkles in his brow deepen.
"What do you mean?"
"Is it a little metal pod? About the size of a coffin?"
"This model is. How did you know that?"
"I got into it. Earlier today I had to hide and that was the only place I could. I almost suffocated because it locked up on me and before it did open some sort of light filled it. Was that it scanning me?"
Bill Gates' entire face tightens and the gun slowly begins to lower.
"So, did the scan go right up to that satellite automatically? If it did that means I'm up there, waiting to be cloned, and I think you even said no one can erase it, not even you."
PB chuckles to himself and shrugs his shoulders.
"So go ahead Bill. Shoot me. You say I know too much, well so will my clone won't it? What does it matter if you kill me? There will always be the means to recreate me and have the clone mess up your whole little plan. Go ahead, shoot."
Gates seems to be taking the suggestion and raises the gun again. He looks PB in the eyes and the little man tries to muster the will to pull the trigger before his shoulders sag and the gun drops to his side.
"Oh, what's the point? What you say is true. There is no way to erase the pattern created by the device. I can kill you now but it doesn't fix the problem. There has been enough death today."
Gates stuffs the gun into the pocket of his khakis and looks off into the sunset, defeated. Abe stirs and his head begins to swivel about.
"What's wrong with me? I can't stay awake," he mumbles.
"They've drugged you Abe," Sam explains. "Bill Gates and his men drugged you. It should wear off but right now you have to walk for a while. Do you hear me? You're going to have to walk for a good long while right now."
Abe blinks and tries to focus on his sister's face.
"Sam? You came for me? How?"
"Of course I did. You're my big brother," she turns towards PB. "We have to get going, I don't know how long he can hold up and we have to get away from here and that bear."
"Fine, let's find the trail and try to hike through the night," PB replies. "How far do you think we have to go?"
"It's got to be at least twenty five miles. We might make it back before morning."
Bill Gates shuffles his feet and pulls what looks to be a small thumb drive from his pocket.
"There is no need for that. I will give you a ride," he says and presses a button on the device.
Within a minute and a half a small chopper flies over head and lands in a nearby clearing. They all get aboard and twenty minutes later they are landing in a meadow not far from Curry Village. PB, Abe, and Sam shuffle out of the chopper and Gates follows them before tapping PB on his shoulder.
"You have interfered significantly with my business," he yells over the sounds of the helicopter. "For now we are at a draw and I am willing to leave it at that. But if I get word of any sort of investigation or anything in the media regarding this incident then I will have Samantha Siegel killed. Do we understand each other?"
PB nods and the little man traipses back to the waiting helicopter. It takes off and Gates stares down at the three figures below as the chopper get smaller and smaller and then disappears into the approaching winter sky.


PB and the Siegel's get rooms at a lodge in the village and after a long shower PB makes his way to the Ahwanee dining room to meet them for dinner. He finds only Sam alone at the table, her brother is back at the room still recovering from his ordeal, and PB feels an all encompassing feeling of contentment as he looks across the table at her and they give their orders to the waiter.
"I think I ordered way too much," he confesses.
"On a regular hiking trip this can be the best part; sitting down to a real meal after eating on the trail for days," she explains.
"We should do that some time. Go on a regular hiking trip."
Sam nods and sips her water and even after all the danger and encounters with death over the last few days PB is surprised to find that he is nervous.
"Now that this is over, would you want to hang out? On a regular basis I mean," he asks.
"On a regular basis?" she echos.
"Sure, you know what I mean. For fun."
"I don't see why not," Sam says and places her water glass down on the table before looking at PB very seriously. "Not a lot of people would have done what you did."
"Done what?"
"Come back for us. That took a lot of guts."
"What choice did I have?" PB asks.
"I want you to know that it means a lot. And that I think-"
Sam is cut off when the waiter pushes the cart up and begins to place the dishes around the table. PB wants to hear what she has to say but they are both immediately lost in the feast before them. They are intent on stuffing their face and neither of them speaks or notices that outside the window a steady blanket of snow has begun to fall.

THE END

Thursday, December 8, 2011

Black Swan





Furlough Film # 6
Every furlough day Dublin and Robert Fong get together to view a film and then discuss that film. This time they were joined on December 6th by Robert's neighbor Paul. The following is a transcript of their discussion.

R: Ah ha! About f__king time we did this one.
D: You've seen it?
R: Naw, I heard of it. Read about it.
D: Paul?
P: Can't say I've seen it. I like Natalie Portman though.
D: Great.

(They watch Black Swan)

D: As the credits go give me your reactions. One word.
R: Hot!
P: Gross. But also hot too.
D: That's two words Paul.
R: Yeah, and what are you talking about? Gross?
P: It was gross Bob. Her nails were always bleeding and weird sh__t was always happening to her body.
D: You know, there was some pretty gross stuff but it was also amazing. The goose bumps, you know what I'm talking about? How her skin would get all bumpy all the time? It was subtle sometimes but it happened a lot and I thought it was a nice touch.
R: She grew f__king feathers!
P: That was really disgusting. I think that's when her legs broke and all that too. Remember that?
R: Of course I remember that. I just saw the f__king movie.
D: What did you think the meaning of that scene was?
P: It was body horror, plain and simple.
R: That's what Cronenberg used to do right?
D: There's some Kafka in there too.
P: I think some of it was projecting male misunderstanding of the female body too.
R: C'mon Paul! This isn't that sort of talk.
D: It can be whatever you want it to be. The leg breaking or whatever was sort of the climax of the movie, was it not?
P: The dance was the climax.
D: Well sure. But that leg part went so bat s__t crazy that it kind of felt like the climax.
R: I'll tell you what the climax for me was.
D: I think we already know.
R: When Mila Kunis goes down on Natalie Portman. That was the f__king climax.
P: You're so obvious in your tastelessness Bob.
R: What? You didn't get a woody when that happened? C'mon!
P: No, I did not get an erection.
R: Don't lie! I think we all did. There were three grown men with woodies sitting around watching this TV at one point.
D: Jeez Bob. Alright, highlights?
R: When Mila Kunis went down on Natalie Portman!
D: Right, anything else?
P: Her actual performance as the black swan at the end was pretty amazing. She was so good. That was the climax for me.
D: That was very good. I got to tell you guys something.
R&P: What?
D: I don't really care for Natalie Portman all that much.
R&P: What?!
D: I can't say why exactly. I remember the first time I saw her-
R: In Closer.
D: No, before that. And I thought she sucked in Closer.
P: In Star Wars?
D: God no. Don't even bring that up.
R: Yeah Paul. Don't ever mention those movies during these discussions. Ever!
P: Sorry.
D: It's okay. But the first movie I saw her in was The Professional.
R: Great film!
D: Actually no. That movie sucks. My point is that I saw her in that and she struck me as a spoiled Hollywood actress that had more confidence than talent.
R: She was just a little girl in that f__king movie!
D: Maybe so. But that first impression has never worn off. Even as she grows up she still rubs me that way.
R: I wish she would rub me some way.
P: I would like to speak up please and say that I think Natalie Portman is a great actress and that she was amazing in this movie.
D: I'm glad you did Paul because I'm going to have to change my tune and say that I agree with you.
R: After dragging Natalie's whole career through the s__t and the mud you're going to say she's a great actress?
D: In this, yes. She owned this movie. She hit every note spot on. I really really enjoyed her performance.
P: It takes a big man to admit that he's made a mistake.
D: I'm not saying that I suddenly I think she was good in Closer and all those other one's but I almost feel like her performance in this makes up for all of those.
R: Wow. Big talk.
D: Alright, favorite scenes?
P: The dance at the end was very moving to me. I also like Vincent Cassel very much as well. Any scene where he got to act was good in my book.
R: But he's got such a weird little face. A funny little French face.
P: That makes no sense. His face is not small.
R: But it's weird. I feel like he's inbred or something
P: What in the world are you talking about?
R: All the French look like that. The English too. Like they've all been stuck in their little countries inbreeding for centuries.
D: That's offensive Bob.
R: What do you care? You're not French.
P: What if somebody said all the Chinese were inbred?
R: That's impossible. There's a couple billion of us.
D: Moving on. Favorite scene Bob? And you can't say the sex scene either.
R: That was my favorite scene so I guess I'll have to go with my second favorite scene.
D: Which was?
R: The part where she's getting herself off and doesn't realize her Mom is sleeping on the couch right next to her.
P: That was gross.
D: I actually laughed.
P: I remember that. I thought it was weird that you laughed.
R: That was hot, not funny.
D: It was so over the top and uncomfortable it made me laugh. I couldn't help it.
R: You know who makes me uncomfortable? Winona Ryder. That's one weird ass chick.
D: She was acting Bob. I don't think saying she's a "weird ass chick" is really appropriate.
P: He's right Dublin. She is strange.
D: You too?
P: Ever since she got arrested for shop lifting she's played strange parts that go against her pervious image.
D: You think?
R: The only movie I can remember her being in in the last ten years is that stupid animated one they made with Keanu Reeves that was based on a Philip K. Dick novel.
P: There's one thing I don't get.
R: What's that?
P: Well, if Natalie Portman is having all these hallucinations and going kind of nuts thinking she killed the understudy with a piece of glass but really she stabbed herself, when did she do it?
R: Do what?
P: Stab herself?
D: I was under the impression she did it when she had the hallucination of the murder.
P: That was during intermission.
D: Right.
R: So f__king what?
P: Are you telling me she stabbed herself and then went out and performed the rest of Swan Lake? Really? While bleeding to death?
D: It's a good point.
R: Who gives a s__t? We all liked the movie right?
P&D: Yeah.
R: Then just enjoy it for what it is and move on. What's next?
D: We haven't decided on the next movie yet. I was thinking Paul could pick since he hasen't had that privilege.
R: F__king great. He's going to pick Ghost or something.
P: No I won't. It'll be good.
D: Great. See you next time.

Taken from a transcription by Peggy Menchstone on 12/8/11

Part 10: PB James and the Man at the Top


Part 10
His lungs sputter dry and reach for air but there is only blackness inside the chamber. He pushes and kicks at the hatch but it doesn't budge and his strength fades with the oxygen. He scratches and punches and begins to lose consciousness when a bright purple light flashes through the chamber, pulsing once over the length of his body.
PB is confused and blinded when the top of the chamber pops open and he is able to crawl out. He chokes as he fills his lungs with stale air. Once he's recovered he slowly opens the room door and scans the empty hallway outside. He makes his way back to the stair well and it is quiet and undisturbed.
He limps up one floor and then another. He struggles to listen for anyone approaching and peers down halls that are vacant and identical. He presses his luck until he no longer encounters a floor, just a door. He pushes through the door and it is all sunlight and fresh air.
He stands on a porch built sturdily into the rock of the dome top and looks over the entire valley. All the land he has inhabited over the last few days looks miniature, like a model, everything vivid and made of plastic. He scans the far off mountains and contemplates his next move when he spots another wooden porch built into the granite a good fifty feet down the side of the dome below him. There's a flower bed and comfortable deck chair sitting on the lower porch and PB marvels at what sort of sinister secret fortress also has high end condos built into it.
As he peers down a woman emerges from somewhere out of sight and walks on to the porch. PB ducks down but continues to watch and when she turns around to go back inside he see it's Sam. He leaps up and is going to call out but she disappears off of the porch again.
There is a metal hand rail around the outer rim of his porch and he climbs over it. He holds on to the rail and sits down with his legs hanging over the ledge. The granite slopes down very steeply but he thinks if he takes it slow he can slide all the way to the lower porch. He begins to scoot down legs first but the granite immediately becomes as smooth as glass and almost vertical and for the second time that day PB is sliding down the face of a mountain in a virtual free fall.
He lands on the flower bed of the lower porch and there is dirt, petals, and smashed clay everywhere.
"You're still alive?"
Sam is looking down at him in the dirt with a face shocked pale and PB appreciates it. He tries to get up but he's broken two of his ribs and it hurts too much.
"Are you alright?" he asks through a groan.
"God, I'm fine PB. How the hell did you get here? I thought they had killed you."
"They tried a couple times. That Bear, the one that hates humans, he came out and broke up one attempt. Then they chased me in a helicopter and then on foot. Who are these people?"
Sam helps him up and sits him down in one of the deck chairs.
"I haven't figured it out yet," she tells him. "They've kept me in this room the last few days. Brought me food and fresh clothes. They brought me out once so I could see my brother, not long after they took you away the first day."
"And how was he?"
"Not good. They hadn't let him sleep or eat and have been drugging him in some way. When they brought me out it broke him. He wrote out his last formula right there and gave it to them."
"For what?"
"I'm not sure. They took me back here right away. I think they are part of some sort of European mob. They all have accents and guns and-"
Sam stops talking and throws her arms around PB, holding him close with the tears in her eyes wetting the side of his head.
"I thought you were dead," she says in a cracked voice and even though her embrace is causing tremendous pain from his ribs PB doesn't protest.
"I thought you were dead," she says again and steps back to look him in the eye.
"I got lucky," he explains, grimacing from the pain. "A couple of hikers from Australia weren't."
Sam wipes her eyes and goes through a sliding glass door to the apartment. PB limps after her and is astonished to find a large furnished apartment with a beautiful fire place and thick carpet and a full spread of bread, cheese, and fruit on the counter. He goes right for the food and begins to stuff his face with it until there's a knock at the door.
"It's them," Sam whispers.
"This is our chance," PB replies but Sam can't understand him because his mouth is too full of food.
He dumps the bread and goes over to the wall to the right of the door with the plate in his hand. He nods at Sam and she tells the person on the other side of the door to come in. PB stays still and watches a skinny Russian walk in with a stack of towels in his arms.
The Russian opens his mouth to say something but before a sound comes out PB has smashed the plate over his head. The man is down on his knees with his eyes rolling back but he's not quite out so PB picks up the cheese plate and smashes that over the Russian's head as well.
"Let's find Abe and get out of here," Sam says and she leads the way out into the hall and to a spiraling staircase. PB limps along, trying to keep up. Just breathing hurts him.
"When they took me to visit him I memorized the way. We have to go down one more level and then left. Hurry up."
Sam explains it all in a frightened whisper and PB tries not to let the pain in his body distract him from being alert in case a gang of thugs should appear around a corner.
Sam takes the left ahead of PB and then pulls back and puts her finger up to her mouth. PB steps passed her and looks slyly around the corner himself where he sees a man in an expensive suit leading a pale skinny man with a stubble and thinning hair who PB assumes is Abe Siegel. The two men enter an elevator and as soon as the doors have closed Sam runs up and looks at the numbers clicking off above the elevator doors. They go up to fifteen and then disappear. Sam hits the button next to the door and when they open and they both get on she hits the button above 15 which has a B on it.
The elevator begins to go up and PB tries to prepare himself for what will be at the top. The Ranger? Ten gigantic foreigners with machetes and chainsaws? What the hell were they going to do?
"Maybe we should have thought this through," Sam mutters but it's too late, the elevator doors are opening.
It is a room with an astonishingly high ceiling, huge and empty, with a gigantic glass window built into the rock. There is nothing in the room except a desk and a couple of chairs. Abe is sitting in a chair in front of the desk and he looks back at them with two sad blue eyes, wide and blood shot. Another man is sitting at the desk as well with his back turned. The chair swivels around and the man grins at them strangely. PB recognizes him immediately.
"Aren't you Bill Gates?" he asks.
"Yes, yes I am," says Bill Gates.

To be concluded in Part 11 on December 16th 2011.

Friday, December 2, 2011

Part 9: PB James and The Man at the Top


Part 9
The last two days and nights have been surprisingly kind to the Russian's head although the eyes have gone frosty and the skin is clearly beginning to sag and hang off the skull. The face still holds the expression it had when the Russian died, mildly interested and unaware of what just happened. PB gets himself upright, never taking his eyes off the head. Due to it's relatively good condition the head doesn't seem to have been molested or moved by any animals, meaning PB is close to where the Russian and Ranger were going to kill him. He scans the area around him but can't recognize it or spot the cliff that he jumped from through the trees.
While sliding down the rock face PB had let himself go limp in both body and spirit, fully waiting to die, but the shock of coming face to face with the actual dead has caused a sudden change inside him. The hunger and thirst, even the pain of his shoulder and various other wounds have retreated from the forefront of his mind and he is alert again. He limps through the trees, along the shelf of rock that makes up the base of the dome he slid down. He walks around the perimeter of a gigantic boulder, the size of a two story house, and is astonished to find a small creek flowing amongst the trees on the other side.
He eases his body onto the sand of the creek bed and scoops handfuls of sweet precious water into his cracked mouth. He drinks until he can drink no more and then splashes his face, washing the dirt and blood down his cheeks. He wants to lie there next to the water and celebrate with a rest when he hears the sound of a large truck motor.
He forces his aching body back to it's feet and limps through a dense thicket, trying to be quiet while pushing aside the sharp limbs and prickly leaves. On the other side of the thicket he finds a skinny dirt road hidden under the canopy of trees. There is a slight tire imprint in the dirt and PB follows the road towards the sound of the truck engine. As he gets closer the engine turns off and out of caution he retreats off of the road a few feet into the bushes. He finds that the creek goes parallel to the road until it turns in at which point a small wooden bridge had been built over the water.
Just in front of the bridge sits a large camouflaged truck and two men are crouched down changing the tire. PB posts himself behind a tree while the men struggle. He squints through the sun passed the bridge and can see that the road goes uphill towards the granite dome to the east. It must be the hilltop fortress where they have Sam and it seems the truck is headed directly there.
The men finish with the tire and climb into the cab and as the truck starts up PB emerges from the bushes, pulls back the canopy, and slips into the back of the truck. It's packed with boxes and packages stacked up in the dark. PB is able to squeeze in and rips open a top box in which he finds an assortment of candy and bags of chips. He scarfs down two bags if chips as the tuck bumps along and then rips open a bag of M&M's and pours them down his throat. He yanks a twinky from the box as well and shoves it into his mouth. The food in his stomach and the incredible sugar rush coursing through his blood inspires PB with an idea and he begins to pour loose M&M's out the back of the truck along with pieces of liquorish and other candies he finds in the box. The truck continues through a roll up door built into the granite wall and a long trail of multi colored candy lies on the road in it's wake.

PB stays in the truck a good while after it's stopped and the motor is turned off. He hides behind a box in case someone should get into the back but there is no movement or sound for some time so he decides the coast is clear and slips through the canopy. He finds himself in a dimly lit hanger, the truck parked next to a number of other vacant vehicles. He thinks it's the same hanger the Russian and the Ranger brought him to originally but he can't be sure. Some voices echo out from the other side of the room. PB quickly creeps up some metal stairs and down a hall through the granite.
He turns blind around a corner and an elevator opens up in the hall. He slips back around the corner and listens as two men step out of the elevator conversing in Ukrainian and make their way down the hall away from him. There is a flight of stairs going up from the hall which he decides to take but as he ascends the first step more voices filter down from the upper level.
They are close and he has no choice but to go through the first door he can. He locks the door behind him and then stands in the dark room listening. The voices get closer and closer and then they're right outside and someone is struggling with the knob. PB peers through the darkness for somewhere to hide but all he sees is a chair and then what appears to be an open coffin raised up on a table. He can hear someone trying a key and then another and can do nothing but run over to the coffin and climb inside.
He pulls the door down closed and waits. He can hear nothing inside the contraption, it's sound proof, and he starts to suspect that it may be air proof as well. He waits until the air inside has become stale and then tries to push the hatch open. It doesn't budge. He feels along the side for a button for some sort of latch but the inside of the chamber is smooth and metallic with nothing inside. The breath catches in his chest and PB realizes he is suffocating.

To be continued in Part 10 coming December 7th 2011