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Monday, October 21, 2013

18: Crime SuspenStory

OUR STORY SO FAR: Oscar Rayne is on the run. The McCarthy Mob wants him dead and the SFPD aren’t far behind. Meanwhile, Detective Dela Cruz is riding shotgun with one of McCarthy’s men and doesn’t know it. Click here to start from the beginning:  http://dublinsworld.blogspot.com/2012/02/part-one-crime-suspenstory.html 

Based on true events:
The inside of the car smelled like cigarettes and sweat, aged air freshener, possibly cheap booze, she couldn’t be sure. Claudia noticed the seat was sticky when she shifted her weight.
“I should check in with Dan,” she said
O”Neil steered the car with two thick fleshy fingers on the wheel while lighting one cigarette with the butt of another, sneering as he sucked smoke between his thick lips.
“He said meet up around this paint store they got,” he said through the smoke. “We’ll call him once we get down there.”
They turned onto Folsom and Claudia couldn’t help but wonder how a man of O’Neil’s size could pass the annual physical. He was enormous, rolls of flesh and cloth all slouched in the seat. Any good years were far behind him. She rolled her window all the way down and could still hear his breath come rough and hoarse from the driver side as he sucked menthol.
“Why would they have grabbed Oscar Rayne?” she said aloud.
O”Neil glance over at her.
“Maybe he owed somebody money?”
Claudia watched the street pass outside the car. She tried to piece together the moments from the bar, tried to put them in an order that made sense.
“Let’s say they had no idea about the surveillance,” she said. “Let’s say someone just happened to grab the purse. That would mean they shut down the party because of Rayne. They grabbed him while they were kicking everybody else out.”
“Are you sure you got the right read on what was happening Detective? How you do you know they weren’t just joking around?”
O’Neil was putting emphasis in the word Detective, it was hard not to sense the condescension.
“It was no joke,” Claudia muttered. “They wouldn’t have stopped the whole party over some joke. You said you had been in on an investigation. What do you know about these guys?”
O’Neil scowled.
“I been in this department twenty three years. These sort of operations gotta be air tight. You can't just go in there-"
"I didn't ask you about that. What do you know about Leo McCarthy?"
O'Neil peered over at her again, his wide nose twitching as the smoke came out the nostrils.
"There's not much. We were on a couple of the guys due to some business down at the airport. We dug a little deeper and Leo McCarthy’s name come up. All we could ascertain was that he was a businessman who hired a couple’a shady assholes- couple’a jerks with records. We didn’t have anywhere to take it.”
Claudia watched the fat face as he spoke. There were bags under the eyes, stretched by the weight of the cheeks. She had tried to call up from memory what she knew about the robbery division but there wasn’t much. She understood it was mostly over the hill guys, cops that had earned their stripes but were too broken to carry much weight anymore. O’Neil fit the description. Yet here he was on the job, helping his comrades when things went south.
“I appreciate you coming in for me. I don’t think I said that already,” she said.
O’Neil nodded.
“You do what you gotta do,” he muttered. “We’re all in it together -way I see it. There’s so much bullshit out here in this city with the fucking yuppies and the god damn crack heads all smashed together. We gotta make sure -”
He was cut off by the theme song from Hawai 50, coming from his phone. He dug it up from the inside of his sports coat and put it up to his ear: “Yeah. You're kidding me? Not far, a few minutes. We’ll get up there. If you think that’s best, then we’ll head over that way. That’s right. Yes. I’ll take care of it.”
Claudia strained to hear if it was Dan or Alex on the line. O”Neil dropped the phone in his lap and threw the cigarette out the window. He reached down under the seat to yank up the police light attached to its thick cord that plugged into the the power.
“Was that them?” Claudia asked, irritated that she had to speak before O’Neil did. He peered over at her, stretched up in his seat as he tried to stick the light to the roof of the car.
“Yeah, yeah, it was them. They said this Rayne guy got spotted up at some bar near Columbus.”
“Gold Duck?” she asked.
O”Neil seemed to go pale for a moment, swallowing. Claudia assumed it was the exertion of trying to put the light on the roof.
“That’s right. Gold Duck.”
“Was he all alone? Was McCarthy spotted too?”
“I don’t know,” he said. “They had a tail on him and that’s where he ended up. I figure we try to apprehend him and go from there.”
Claudia was irritated he hadn’t thought to pass the phone over to her. She needed her partner’s take on what they had right away, she wanted to discuss, to compare everything they had picked up before things had gone black.
She imagined bringing Rayne into custody. She thought of his picture from the McCarthy file, the eyes staring back at her from his rap sheet, the scar along the forehead.
“I don’t want someone going in and fucking this up. Was it a black and white that spotted him?” she said.
“He just said Rayne got spotted. They’re gonna send back up but we’re pretty close already.”
O’Neil hit the switch, the siren screaming. The people outside the bars looked up as the car tore passed them and Claudia sat up straighter in her seat, smoothing out the dress that still tightly cradled her body. If they were going to make a collar she would have preferred to be in jeans and a sweatshirt.


****

White Charlie hung up the phone and looked over at Leo, who sat on the top of the desk, staring back, not blinking. Pat sat in the metal chair against the wall and stayed silent like everybody else. He was still sobering up and was starting to feel the cold of the chair through his pants.
“He said he’ll take care of it,” Charlie said. “He’ll bring ‘em both over here.”
“Try Dick again. I want to know what happened.”
Pat watched Charlie punch numbers into the phone and then glanced over at the other men who were gathered there in the paint store office- Vlad, Ken, the Flores brothers, Cabbagepatch, they were all trying to look stoic, ready for anything, but Pat could see the worry in the corners of their mouths, the blinking of their eyes.
“Nothing,” Charlie said and hung up the phone.
“How did he fucking get away?” Ken said.
The other men in the room glanced over at the bartender and Ken seemed to act like he didn’t notice. He really had no business being there, he wasn’t on the inside.
It was Pat’s fault that Ken was there in the first place. Pat was still off guard when Dick and Murph had dragged Oscar off, he hadn’t reacted like he should. He was too drunk to drive and the last thing he wanted was to get caught up on the way to the roudeveux, letting his friend down again.
Ken was the only one still on the sidewalk, everyone rushing off in different directions, leaving O’Neil at the bar to deal with the cop situation. Pat had hollered at Ken to drive his car. The bartender had jumped at the chance, driving too fast and asking a million questions that Pat had no answer for. Pat had yelled for him to shut his stupid fucking mouth, there was no point on going on and on about it. Pat was as confused as anybody else.
He couldn’t get the picture of Oscar being dragged from the bar from his head. He had just stood there, watching like an idiot. He should have done something. Now they had gotten word that his friend had somehow escaped Dick and Murph and was robbing the Duck. Robbing the Duck? Pat brought his gaze over to his uncle, who still sat perfectly still on top of the desk.
“Fran, you and your brother head up there too,” Leo growled. “Our boy is a sneaky bastard. I don’t want any more of this bullshit, I want whatever the hell is going down here to be contained. You should go heavy.”
He got up from the desk and started turning the knob on the large wall safe. Pat lit a cigarette and watched his uncle and White Charlie pull guns out: a glock .45, two extra clips, a .32, another clip; they laid the whole arsenal out on the desk. Bobby got up and picked up the .45, testing the weight in his hand.
Pat took a deep breath. Things seemed be moving so fast, like a wave had come down and whipped him and everybody else up into a fearful panic, and he could feel that it was only going to get worse. He knew his uncle could be capable of anything when the old man felt backed into a corner. Leo had his men all on edge as well, liable to do something stupid.
Pat stood up from the chair, knowing this would probably be the only moment he would have. He dropped the cigarette onto the floor and rubbed it into the rug. Before Fran Flores could reach the table, Pat had stepped forward and picked up the .32 himself.
“I’m going,” he said.
His uncle turned towards him with the cold hard stare that Pat had seen so many times in his life. The big green eyes went from Pat’s face to the gun in his hand.
“Put that gun down boy,” White Charlie warned.
“He’s like a brother Leo. Let me go and take care of this thing.”
His uncle squinted. “He’s no one’s brother Patty. He’s a rat orphan. Now sit back down and let us take care of this thing.”
“Do you hear yourself? Do you hear what you're saying?!”
“We took him in Patty. We gave him everything he’s got. We gave him his only chance and he turned on us.”
“What are you talking about?”
“He’s turned. He did Vaughn. I sent the two of them to do a job and only one of them shows back up. He’s god damned turned!”
“Says who? O’Neil?”
Leo swallowed hard, forcing the rage back. Pat watched his uncle’s face go a deep crimson.
“We don’t have time to debate right now lad. We got a call from the Duck saying our boy is down there robbing the place. Who knows where Murph and Dick are. We don’t have the time to spend ironing out the finer points of it. All we know is the boy’s gone rogue.”
Pat was nearly sober now, he could feel the blood in his veins pushing out to all his limbs, out to the pressure points in his body. It was dark in the little office, just the desk lamp was lit. The only face he could see clearly was his uncle’s, wide and red before him.
“Give me a moment to talk to him,” Pat said.
“We’re going to bring him back here to talk to him. That’s all now.”
“You're going to kill him.”
“Of course I’m gonna kill him!”
Pat heard Cabbagepatch mutter something behind him and Pat realized he had raised the gun he was holding, pointing it directly at his uncle.
“Jesus,” White Charlie said.
It was too late, Pat knew it. Things were out of control, they were always out of control, always beyond his reach. He could feel his uncle's full attention upon him. Pat looked into Leo’s face knowing he had no choice but to continue on, the pistol steady in his grip.
“I want you to let me go over there Leo. I want you to tell everybody else to stand down and let me talk to him. I’ll be God damned if I’m going to let you go in there and wack out my boy over some fucking assumptions.”
“Put the gun down Pat.”
“You need to listen to me Leo. Let me go.”
“Put the gun down.”
“He’s just as fucked up as we are, and if you would let me-”
The shot Pat heard wasn’t from his own gun, it was like a bomb went off in his back. He went against the desk and then was down on the floor of the office, a terrible burn through his back and his chest but only for a moment before everything felt thick and full and all he could hear was the blood pulsing through his head.
He was on his back, trying to take a breath, looking up the ceiling fan and then stretching his neck, trying to figure it out, looking over at Ken, the bartender, with the .44 in his hand. A flash filled the room and Ken flew back, disappearing from view. Everything became much foggier, dimmer.
His vision cleared for a moment -he saw Cabbagepatch staring down at him, the eyes big and white, that wide black face shiny with sweat. Then the black face went fuzzy and it was just a shape with other shapes around it. All Pat could hear was the blood in his ears and it was starting to get softer.
The last thing he saw was his uncle’s face, looking down at him.



Tuesday, October 15, 2013

Gravity, a Review


Great films stand out in our minds not as nights at the movies but as experiences, ones that transport us into the lives of others and worlds that exist only on screen. Seven years ago I was lucky enough to wander into a theater and experience the Alfonso Cuaron film “Children of Men”. It is by far one of the greatest times I have ever had at the movies and I find myself bringing it up in any conversation with people I am meeting for the first time. Have you seen “Children of Men”? Did you like it? These two questions will reveal to me what sort of human being I'm dealing with and where we stand on the spectrum of friendship and common interest.
Ever since 2006 I have waited with bated breath for Cuaron's follow up and here it is, "Gravity" in all it's awe inspiring glory. After viewing it I couldn't help but feel like one of those nerds that had a band they love who has been underground for years before suddenly having a hit and becoming everyone's favorite band. The whole world is going to love this movie, how can they not? Curon harnesses the most cutting edge technology film has to offer to send us on a journey that thrills, terrifies, inspires, and enthralls.
Everything is used for a purpose. The 3D is there to fully immerse you in the void of space so when our characters are flying uncontrollably through the dark nothingness to certain death we can't help and reach ourselves, grasping for hope, a last chance for life.
The story is so simple- survival. Never has space been so real and so completely terrifying. At times during this movie it feels as if the universe was set up for one purpose- to kill these frail little humans that dare challenge nature. Space it is the monster that terrorizes our lead characters.
Dr Ryan Stone and Matt Kowalski, portrayed by Sandra Bullock and George Clooney, have their personalities defined in the first few minutes through the back and forth dialogue in their space helmets. Some reviews have called this annoying, I don't agree. It seems realistic to me that you would chat it up when floating around in a deadly vacuum, devoid of all life and sound. You need something to grasp on to mentally, something to distract you from the freezing infinite surrounding you.
Towards the end of the film things begin to take a bit of a religious tilt which was distracting and pulled me out of the full immersion I had been in up to that point. In the end, I didn't care. It's only realistic that facing these situations and odds a person would turn towards something, anything, to keep moving forward and fighting for life.
I will admit the movie is heavy handed- the memory of a dead child, the symbolism towards the end of life's start on earth etc, but I would also say that the movie earns the right to be heavy handed. This is a hell of a ride and I find myself taking another deep breath and holding it in anticipation for the next film by Alfonzo Curon. In fact I can’t wait, so I went and saw Gravity a second time.
Of course, that’s just one man’s opinion.

10-04-13

Monday, September 9, 2013

The Rise and Fall of Arnold Schwarzenegger




It’s fascinating and a bit sad to watch a new Arnold Schwarzenegger movie in a post-Arnold era. What will go through the heads of the future’s children when they come across this film “The Last Stand”, wondering who exactly this shriveled up Austrian man is, and what he’s doing in a movie when he clearly has no grasp of acting? They’ll look him up. The 38th Governor of California, you kidding me?
When Schwarzenegger first shows his face in “The Last Sand” it’s jolting- the fleshy mask of a seventy years old, the dyed thinning hair standing bent at attention over a face covered in stretched leather. His lips appear thin and gray and when he speaks from them he reveals that his acting hasn’t improved much since “Conan the Barbarian” thirty years before.
Everything was working and moving forward in 1981 when Conan was shot in the tranquil regions of Spain. Arnold was riding the wave of a bodybuilding career into Hollywood’s embrace, starring in a perfect follow up to “The Jayne Mansfield Story”. Assistants waited on him hand and foot and women threw themselves at him. He loved to bring the women back to his trailer to bed them and then work on his muscles with weights. Acting was easy, all he needed was the body and the confidence. No one questioned a person like Arnold existing in the fantasy world of Conan, all accents could be used and swirled together to praise Crom. No one questioned the presence of the giant Austrian in the room. He stood five feet ten inches but told people he was 6’ 2, and they believed it.
What made Arnold a star was the audience’s enjoyment of watching him be violent. In fact, there was period of about fifteen years where audiences loved to watch this big Austrian kill people. As he took on roles in the modern world the accent became comical but still we loved to watch him kill. He put down the sword of Conan and picked up the guns of cops, commandos- cybernetic hitmen. He picked up every type of gun. He killed hundreds. In “Terminator all he did was kill people and we loved it. He killed even more in “Commando” and we cheered.
His drive and ego pushed him far beyond what people expected of him. The same year he starred in “Raw Deal” he married Maria Shriver, a member of the once powerful Kennedy family. Arnold spoke in interviews of interest in politics and people laughed. Who would vote for this gap toothed immigrant “actor”? It was a joke. Arnold kept the goal in mind, steadily pushing his career along with bigger budgets and larger roles. He spent his days on film sets, washing off the flings with make up girls and co-stars in his trailer before returning home to his family. It was in his mansion back in Brentwood that he truly played a role.
In “The Last Stand”, Arnold lets age humble him into playing the part of a small town sheriff. He has has a few interactions with the the town’s residents in the early part of the film. These supporting actors depict salt of the earth, real deal Americans who say they have high cholesterol and don’t care, so why should they be worried about the blood thirsty cartel boss and his gang converging on the town? The scenes are played for laughs but it brought me back to Arnold’s action epics from the ‘80’s, when the actors around Schwarzenegger were always asked to play it straight.
Arnold as an actor seemed to work best in science fiction, when things were already so preposterous the main character’s accent and acting was an afterthought. Twenty five years before “The Hunger Games” Arnold killed before a live television audience in the homicidal world of “The Running Man”. His perfect role, the role of a robot with no personality, was a huge hit and led to the blockbusting sequel “Terminator 2 Judgement Day”. His best film, “Predator”, had him lose the guns and simply use his brawn and brains to battle a physically superior alien in the lush jungle of Columbia. In “Total Recall he teamed up with Dutch weirdo Paul Verhoven and made the bloodiest adaptation of Phllip K Dick story ever.
Things began to slow down in the mid-90’s. People weren’t coming out to watch Arnold kill people in big crowds anymore. His occasional roles in non-action films like “Jingle All The Way were disturbingly bizarre. The world seemed to be moving passed Arnold. Audiences were starting to view him as a throwback to the 80’s and his body was not as swelled and taught as it once was.
Arnold looked for solace in unexpected places. One day in early 1997, when his wife and kids were out of the house, he bedded the maid, Patty Baena. On October 2nd she gave birth to a boy, a month after Arnold’s wife, Maria Shriver, gave birth to their fourth child. Arnold was the father of both children but only claimed the legitimate one as his own, falsifying the documents on baby Joseph’s birth certificate.
In 2003 Arnold ran for Governor of California and won. After the recall election, informed citizens of California sat around scratching their heads, wondering what the hell happened. Our new Governor appeared on television and at political events making reference to his film career and calling Democratic lawmakers “economic girlymen”. It was all so preposterous, like one of his science fiction films.
While in office, Arnold found there to be much more to politics than just confidence and an imposing body. After eight years of battling critics and unions he stepped down, his accomplishments limited. Leaving Sacramento freed Maria Shriver to act on the suspicion she had held for fourteen years, that Arnold was the father of the maid’s son Joseph. When finally confronted the ex-governor fessed up to it and Maria took the kids and left.
Arnold was left alone in the Brentwood mansion, pacing the high ceilinged rooms and talking aloud to the bust of Ronald Reagan that sat on his desk. Where had things gone so wrong? What was left except grave disappointment for a man who had accomplished all of his life’s goals? When was the last time he had felt true happiness? Arnold thought back to his years in the state house and came up empty. He thought back to the times he spent on movie sets and a smile came to his graying lips.
“The Last Stand” is a film that allows Arnold to do what he does best, kill people on camera. He blasts them with revolvers and mows them down with an antique machine gun, all in the name of his ageing ego. As I said in the opening, it is indeed fascinating, but even more so, it is undignified and profoundly sad.

09-03-13

Thursday, August 29, 2013

Discovering Your Dream Job


Every now and then you come across someone who is disturbingly balanced. You run into each other and you say the arbitrary “How are you,” and they reply “I’m really good,” and they mean it, I mean really truly mean it. 

What is the secret? 

After a series of questions and intense prying I usually find the most common factor being a true satisfaction with one’s career, or at least a credible pursuit towards the stated goal of a career.
For me, and many people like me, work is simply a means to earn money to then pay for distractions like drugs and alcohol to, help us forget about work. The idea of a meaningful career is foreign, nothing but the pursuit of yuppies and wannabe yuppie scum. The “balanced” types, the folks who say they are doing “really good” and mean it, have found careers where they not only work for money but also find the experience of work rewarding. Many times these careers involve helping other people by working in medicine, or community activism. Others get involved in education, working with youth, or the disabled and seniors. They put other people first while earning a paycheck, it’s odd.
While I’m not one to jump up and suddenly start helping perfect strangers who probably don’t deserve help, it does get me thinking: what kind of career would I want to pursue if I really gave a shit? The answer hit me a few weeks back when I was reading the paper.


Baseball star Ryan Braun was popped last month (along with a good number of other major league baseball players) for using performance enhancing drugs. He had his season with the Milwaukee Brewers cut short. I was reading the paper when I came across a “statement” he released regarding his suspension which reads as follows:


As I have acknowledged in the past, I am not perfect. I realize now that I have made some mistakes. I am willing to accept the consequences of those actions. This situation has taken a toll on me and my entire family, and it is has been a distraction to my teammates and the Brewers organization. I am very grateful for the support I have received from players, ownership and the fans in Milwaukee and around the country. Finally, I wish to apologize to anyone I may have disappointed—all of the baseball fans especially those in Milwaukee, the great Brewers organization, and my teammates. I am glad to have this matter behind me once and for all, and I cannot wait to get back to the game I love.”


I enjoyed every sentence of this “statement”, a lesson in bold horse shit if ever there was one. We are to believe that Mr. Braun himself sat down and composed this “apology”? The same guy who rode the high horse and smirked after some jerk mishandled his urine last time Major League Baseball was looking to take him down? C’mon. Someone in an office somewhere was paid to sit at a desk and put this together, then distribute it to the masses while keeping a straight face. I realized while reading it that I would very much enjoy being that guy, the guy up in the office writing these statements. I wouldn't mind pursuing a career as a Celebrity Apologist (I guess that's what you call it).
This sort of work is fiction writing really, which I’m interested in, but it’s also skirting and ducking the real issues and covering those issues with dirt by “moving on”, which I find liberating. Even better, I think it's good to point the finger in another direction, throw up a "smoke screen" over the celebrity's wrong doing. I feel like these sort of things can be written for any infamous person, and with the right touch, can be effective. Here are a few samples of the public statements I would like to pen:

Anthony Weiner AKA Carlos Danger - Disgraced Politician
As I’m sure you can imagine, the day to day stresses of American politics can be taxing to the human psyche. It is only natural that a person be allowed to blow off steam. Without the cathartic release of negative energy and built up frustrations, a  man can go mad. When you have a powerful person, a person with real responsibilities, like myself, madness can cause damage to the people I represent and the very fabric of society itself. It is not safe.
I release my stresses by texting women pictures of my genitals. Others blow off steam by taking part in dog fighting or in doing drugs. Dog fighting is a terrible past time and meth is destroying entire rungs of our populations, I am against those. Sexting does not harm innocent animals. Stand with me now and stand up against dogfighting and meth. Thank you.
Alex Rodriguez - Another Disgraced Baseball Player
Before I am a baseball player or a multimillionaire, I am simply a man. A man like any other man, who ages over time and becomes only a husk of what he once was. With this ageing body I am asked to do the impossible: hit major league pitching. Could you hit a pitch thrown by a major leaguer? I doubt it. I can barely do it and I’m pumped up on Performance Enhancing Drugs.
Speaking of drugs that enhance your performance: what about Viagra? If I can’t take a drug to help me hit a ball then all you men out there who boo me from the stands can’t take a drug to hit your wife. You want to take my name off the record books, erase my accomplishments from history? Fine, go ahead. But check this out: if my home run doesn’t count -your wife’s orgasam doesn’t count.
Either way, I would like to apologize to all the baseball fans and everyone I have let down. Thank you.

Ariel Castro - Cleveland Kidnapper:
We all make mistakes. I made one when I kidnapped those young women and held them against their will. But let me ask you: what kind of a world do we live in? I see a world where every waking moment is filled with pornography, even in advertising, and I see myself simply as a product of that world, not the monster that the media makes me out to be. If I am only a reflection of our world than could my actions not be the world’s fault instead of my own personal mistakes? Something to think about.
Either way, I would like to apologize to everyone everywhere. Thank you.

08-12-13